Aindreas Gallagher
Forum Replies Created
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well it had to happen eventually.
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yes it is basically. It’s kind of thrilling that they’re tearing AE up a bit. They’ve turned off multiprocessing for a bit! The ram preview has gone barmy! Them getting stuck into seriously messy stuff like the AE architecture is one thing you’d want to see in a membership context. They know everyone wants them to do it, and they’ve got the latitude now to really get into it. I almost don’t care that the current AE rev would be half a building site for a year. I’ll just keep on using cc14.
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[Dennis Radeke] “For a lot of people this is going to be a great tool that helps them get farther in creating good content via color shaping than previously. It will hopefully be fun and instructive at the same time.
“rather, said the subscriber, still – introducing pretty serious code articles like shadow, highlight and vibrance control seems a better transference of colour sophistication to quick use cases than apple ever managed with their zany square box CC. – zing-
It’s kind of mad that adobe felt the space to go – do you know what – actually screw it, let’s just do a good lightroom style CC panel for the edit software . That feels almost a definitive outcropping of the off sales ramp engineering latitude. Never mind blowing up half the AE ram preview logic. They’re replacing wings in flight all over the place. Who’d ever risk an annual CS sale with all that zaniness?
Also who doesn’t actually like the notion of an applied LR chain to video? Staged LUTS for god’s sake.
If it had ever occurred to them you’d think apple could have pulled something like this from the bones of aperture. But they only unlocked CC from the start of the effects chain this year.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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ok yes. yes yes – I was going to try and reference that off mentioning hue to hue – but I wasn’t completely sure. The resolve implementation I’m utterly unfamiliar with?
I’m very fond of the ability to cluster the HSL balls together in colorista. I really think it’s magic. Stu Maschwitz did a great breakdown – somewhat giving a lot of the grading game away there recently?
https://www.youtube.com/watch?v=UJdTSAiw60s
I get that resolve is amazing – but there is some stuff in colorista as a mental model for CC that I love. The malleability of those dots in the hue circle – it’s crazy clean given the sophistication of the things you’re doing to the colour space. do like me some colorista. I half think of Maschwitz like the Jamie Oliver of colour correction- he really opposes ornate practice but he’s awfully stringent on good processes.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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hey – just reading your informative thread there – this dude actually does a really solid breakdown of the lumetri panel in an entertaining accent:
https://www.youtube.com/watch?v=Q3iJwzIeUq4
He says an interesting thing about colour qualification where he mentions the resolve hue vs hue controller? I don’t know resolve from a hole in the ground but he makes a big point of it – Oliver would know all about you’d reckon. Also when he plays with the shadow highlight stuff and some of the other new stuff – it seems like adobe have had a really long think about what goes into this – the two stages of LUTS and all that – I’m a colorista MB looks kiddie as well, but could see myself using this sometimes. I like lightroom and the panel seems nicely put together as a flow. decent youtube vid on it anyway..
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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[Andrew Kimery] “To be fair Aindreas, many time you sound like you drank something too. ;)”
that line can be overdone you know…
seriously though – try a thought experiment – so an avid editor starts using Premiere Pro:
one day it just clicked. I loved the lack of rules. Favouriting is the best thing on the planet! I could bash out a slick edit at least twice as fast!”
I edit in the zone! pumped and energized and Premiere Pro allows me to mix and cut as fast as my brain goes.
you ever hear an avid editor talk like that? Premiere Pro editor? Any editor?
I mean, who in God’s name talks like that?
Ah yes that’s right – the unhinged little posse of FCPX devotees making slick edits two times faster than their grandparents on rad rad rad FCPX.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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“Then, one day it just clicked. I loved the lack of rules. Favouriting is the best thing on the planet! I could bash out a slick edit at least twice as fast.”
yep, that’s what I keep hearing. Sounds stunning. I do love a 2X slick edit. They’re aren’t many kinds of edits better than that.
*edit* sorry there’s more:
“I edit in the zone, pumped and energized and FCPX allows me to mix and cut as fast as my brain goes.”
that man’s brain has been recorded on the salt flats – and I’m here to tell you now – that brain is running fast and hot.why is it, you might wonder, that roughly two thirds of the people boosting X are trying to sell something and the other third sound like they’ve drank something.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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due to my training and software knowledge I followed all of this very clearly. carry on.
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[David Roth Weiss] “let’s face it, whether you’re like Scientologist, or just a plain old Apple can do no wrong Fanboy, is there really enough difference between the two that we should be splitting hairs here?”
It’s a strong question, a good question, and a question only those involved can answer.
[James Culbertson] “Time to take personal responsibility and move on, or accept that you personally cannot or do not want to change.”
these here are the very words of faith. It is good faith, James’ own faith and a faith many might not accept, but he holds this faith in his heart. Some here might view this as a discussion of software – others might not. They may see a greater yardmark and a further enlightened shore. Let us open our eyes to their contact lenses but for a moment.
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our station bought one as a main online for promos. We went mad working up realtime grading and masking for promo setups and endboard templates. felt like such a beast. And this was just after they’d got burnt on discreet edit. bad run of luck really.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics