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Forums AJA Video Systems You want HDMI, Here have this

  • You want HDMI, Here have this

  • Nigel Thompson

    April 20, 2009 at 1:54 pm

    https://www.aja.com/products/kona/kona-lhi.php

    Good goin guys.

    1 prayer answered, and the Ki Pro seems a must buy for our RED workflow, wow there goes my savings once again LOL

    HVX200, RED ONE, FCS and more,
    High End, Production & Post Production
    in the Caribbean
    http://www.bistt.com

  • Nigel Thompson

    April 20, 2009 at 1:59 pm

    KI Pro, WOW, Did some one say Dirt cheap Dailies

    HVX200, RED ONE, FCS and more,
    High End, Production & Post Production
    in the Caribbean
    http://www.bistt.com

  • Aaron Neitz

    April 20, 2009 at 3:21 pm

    I’m really glad that AJA is so ProRes stalwart. It’s such a great little codec, and with AJA involved hopefully Apple doesn’t get too many chances to muck it up 🙂

    And so much for our litle RED->ProRes dailies conversion jobs we had going….

  • Russell Lasson

    April 20, 2009 at 3:23 pm

    Yes! If you can nail a workflow with the Ki Pro and record your offline edit files to ProRes in the field, then conform back to the R3D files, that’s going to save a ton of rendering!

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Aaron Neitz

    April 20, 2009 at 3:50 pm

    It looks though like it only records in regular ProRes, not HQ?

  • Joe Murray

    April 20, 2009 at 4:02 pm

    So are most of you converting Red footage to ProRes before editing? We’re doing our first major project with Red right now and are just using the half-res proxies to edit and will then conform in FCP and Color. Other than seeing the footage higher quality by converting to ProRes, are there other advantages to that workflow?

    Joe Murray
    Edit at Joe’s
    Charlotte, NC

  • Russell Lasson

    April 20, 2009 at 4:12 pm

    It records to either ProRes or ProRes HQ.

    -Russ

    Russell Lasson
    Universal Post
    Ridgeline Digital Cinema Mastering
    Salt Lake City, UT

  • Kevin Wild

    April 20, 2009 at 6:33 pm

    Early on, we ran into some bugs with the FCP-Color workflow, so we switched back to transcoding everything to HD before editing.

    Everything we shoot goes through RED Alert to create the RSX file with our one-light parameters. Then the files go into ClipFinder to get rendered over to HD.

    I wish the speeds were a little quicker, but overall, this works really well and no worries about XML’s or EDL’s or anything.

    Kevin
    drawbridge.tv

  • Jeremy Garchow

    April 20, 2009 at 8:25 pm

    It does ProRes HQ to the supplied drive cartridge, SQ to the Express34 slot for now. SSD storage will get faster. It’s a cool cool product. Controlled by….wait for it……your iPhone, or any browser capable device.

  • Stuart Simpson

    April 21, 2009 at 9:53 am

    So is the LHi a straight-up replacement for the LH? Is the LH now end-of-life?

    -Simmie
    6 MacPros – Kona 3 & Kona LH
    1 G5s – Kona LH
    xbox360, Wii, PSP, PS3
    https://www.speak.co.uk

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