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Which is the best AVID product for Promotions/Longform editing?
We’re about to make the break from Discreet Logic Edit boxes (which are still running, by the way, almost seven years after their purchase) and move into the AVID world, because our corporate owners have standardized on that platform.
There are so many AVID products, that it’s become difficult to match one to our needs/budgets, so I’m asking for some guidelines so that we end up with boxes that will do the job.
One of the NLEs will be doing a heavy workload of :15s and :30s, plus cranking out radio spots based on the TV spots. The spots will be multi-layered, with multiple layers of graphics keyed over video (hopefully without going out to AE), plus motion graphic overlays from our Graphics Department.
The second seat would be doing a daily 30 minute show that will be mostly cuts and dissolves, but would have the need to do motion graphics keyed over the video for bumps, lower thirds, etc.. We had been doing the show on an old Media Composer, and it was impossible to do the production values we’d hoped for.
The third seat would be doing short-form commercial production, with multi-layered graphics/video, some of which would come from AE, Photoshop, etc.. This box would have multiple users, and be pushed to the limit for speed.
We’re being pushed toward Newscutter Adrenalines to do ALL the jobs, but I’m not convinced that this box has the necessary multi-stream capability to view what we’re doing in real-time, or the horsepower for long-form stuff. Thanks for your help.
Joe Bourke