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Where should I spend my
Hi there all, I’m also posting on AJA forum
My partner (the “video” guy) and myself (the “techy” one) own a small production studio in the Canary Islands, Spain. We do mostly documentaries & industrial video for local TV sations and Gouvernment agencies.
I’m in search of an upgrade path to work with HDV footage. Already own a Z1 & A1 but for now, I downconvert to DV from the camera and do all my work on FCP, using a dual G5 PowerMAC, outputting through a Decklink SP to a UVW 1800. Fine for now but my partner & me would like to be able to work entirely in HD, monitoring on our 26″ SAMSUNG LCD and downconvert just to output to SD (most of our clients still ask for it…)
Our studio:
Z1, A1
edit station – dual G5 2.3, Decklink SP, Xserve RAID w/7 ADM, UVW 1800P, DSR 45P, Broadcast field monitor (SD), Samsung LCD, audio, etc…We also have a dual G4 (latest build, solid as a rock) used mainly for after effects, photoshop, etc., and a Powerbook G4 that we normally take to all our shooting trips, FW 800 drives, MBox…
My idea:
1. “transfer” all SD hardware to the G4 (Decklink SP, Betacam, DVcam…) to ingest the ocassional SD material we get and some SD edit work along with the graphics.
2. Buy an HDV deck to avoid wear on the Z1.
3. Prepare the G5 to handle only HD material.
I don’t see the need for Upconverting realtime so I feel the highest end cards (Kona3 or Decklink HD PRO…) do not apply, leaving me in the Kona LH – Decklink extreme range I guess. Then there’s the AJA IO – Multibridge option… and finally that very affordable (?) Intensity HDMI card.
Also, how do you connect the HDV deck to the capture card? I’ve read is better to do it through video components, not firewire, but how do you get audio then? and what about controlling the deck…? Can it be controlled via firewire and still receive video through components?
Uff, I need a coffe or something…
Any help will be aprecciated
BUNKER studio
“edit in paradise”