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  • Whats the best way to create large floor for a 3d move

    Posted by Yamir Bhatt on April 15, 2009 at 2:20 pm

    when you are creating a move in 3d space in AE waht is the best solution to have a large floor to cover your entire move.

    1) should i create just one comp of the floor 5000px x 2000px ( but this seem to screwup my render time.
    2) should i create 500 x 500 floor comps and array them together to create the large floor. (is this going to be aby better then a single 5000px 2000px comp?)
    3) any other ideas?

    Eliezer Cisner replied 12 years, 3 months ago 5 Members · 5 Replies
  • 5 Replies
  • David Bogie

    April 15, 2009 at 4:39 pm

    I just finished a project that had two 5kx5k layers, a floor and a wall.

    This is something we’ve been asking about since AE was blessed with 3D: the infinite plane. Ubiquitous in any modeler of 3D animation system, there must be a good reason it hasn’t found its way into AE.

    bogiesan

  • Roland R. kahlenberg

    April 15, 2009 at 5:41 pm

    [yamir bhatt] “1) should i create just one comp of the floor 5000px x 2000px ( but this seem to screwup my render time.
    2) should i create 500 x 500 floor comps and array them together to create the large floor. (is this going to be aby better then a single 5000px 2000px comp?)
    3) any other ideas?”

    Optiob 2 should be less memory intensive. Another option is to use Motion Tile although this too has memory limitations and you need a seamles image to make this work.

    HTH
    RoRK

    broadcastGEMs – AEPro Volume 02 (Professional Adobe After Effects Project Files – Now Available).

    Adobe After Effects Training in South East Asia.

  • First Last

    April 15, 2009 at 9:06 pm

    Pre-comp your animation, and throw a small solid under it.

    Parent a small floor layer under your camera, assuming you hav a camera that’s flying around. This might look screwy with lights.

    Make your background color the same as your floor.

    It really depends on what you’re doing and how you have it setup.

    Production Associate
    Bend, Oregon, United States

  • David Bogie

    April 15, 2009 at 10:57 pm

    Dan, what a cool idea. I once did that with a stop motion rig. The background for the whole project never changed so we just attached it to the camera rig with three 90 degree conduit sections and put the rest of the props and jigs between the background and the camera. Lights were bolted to the pipes, too. Revolutionized the setup at the beginning of each day’s shooting.

    Thanks for the contribution and the trip down memory lane.

    bogiesan

  • Eliezer Cisner

    January 22, 2014 at 11:35 pm

    the trip down memory lane

    Well said, David. Trying to fly a camera through an infinite 3D space, sure is a trip down memory lane. In fact, intensive memory lane, to be precise 🙂

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