[nick Franco] “a) to capture from this camera, is it a DVCPROHD codec i need”
You have the option to capture DVCPro HD or uncompressed HD via the Kona LHe. If you capture DVCPro HD you can come in firewire. For uncompressed you come in HD-SDI.
[nick Franco] “b) the deck i hire, will it have to be dual link SDI”
Not even close. That’s only HDCAM SR.
[nick Franco] “c) so if the above is true do i need the Kona 3 card for thiis (sdi dual link)”
See above.
[nick Franco] “D) with my kona LHE, would i be able to do an offline?”
Yes, the Kona LHe can downconvert an HD-SDI signal to any codec during capture.
Based on your questions I’m assuming this is your first HD project. Know that we spent 6 months working out the HD workflow for Good Eats because HD is not necessarily something you can just jump in to. First off you need to have a true HD monitor like the Sony PMV20L5/1 or at least a Panasonic 1700W. Color Correction and frames rates are two of the many issues when working with your first HD project. You need to allocate time to do some test CC and outputs to ensure what you’re doing looks good to both you and the client.
Walter Biscardi, Jr.
https://www.biscardicreative.com
HD Editorial & Animation for Food Network’s “Good Eats”
HD Editorial for “Assignment Earth”
“I reject your reality and substitute my own!” – Adam Savage, Mythbusters