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They’re going to take my BM card right in the middle of a big project!
And swap it with a Kona!
The brief: I’m in the middle of a 2-hour doc that was shot using DVCPro HD and capture using FireWire. Production Services insists that we capture using SDI, but so far they haven’t been able to make it work correctly.
Now I need to capture Digital Beta, so they’re going to pull the BM (which they’ve never used before now) and substitute a KONA 3 which they’ve never used ever.
Any words of advice? Compelling arguments? Can the Kona transcode DBeta to DVCPro HD 720p24 on the fly through SDI and amke it play on the timeline with the rest of my footage?