-
The secret: Re:Flex create virtual cameras for Stereoscopic 3D
I had been using the Re:flex plugin to “generate” in-between “virtual” cameras a few years ago, when auto-stereoscopic 3D displays (from Philips, Newsight etc) were all the rage.
Well, now that Hollywood has re-discovered 3D, one of the biggest debates you will hear is about how cumbersome it is to shoot with a beamsplitter rig, and how if you just place to cameras side by side the interaxial (the distance between the lenses) is too large.
Now Re:Flex solves that problem to a very large extent with great results.
In the spirit of sharing knowledge, I’ve documented it as the RealFlex 3D camera rig method here:
https://realvision.ae/blog/2010/08/3d-camera-interaxial-and-convergence-using-the-realflex-method/Hope it’s of help to the community.
Regards
Clyde—————————-
“Think in 3D”
Clyde DeSouza
https://www.realvision.ae/blog
—————————– -
2 Replies
-
Thanks Clyde, looks good.
Pierre
-
Hi Pierre,
I was wondering if there is a chance of having this plugin work directly in Premiere Pro CS5. I understand that it needs a “mask” that is obviously only an AE thing.But for this specific use of the Motion Morph plugin, it works in AE even without a mask.
There is huge potential for usage of this technique for the Stereoscopic 3D community.
I will be adding it in a “recommended” section of the Real Vision knowledgebase as a must have tool for 3D shooting.
An animated Gif showing the effect is here:
https://realvision.ae/blog/wp-content/uploads/2010/08/Clyde_realflex_3D_rig.gifWould be great to discuss with you further,
Best Regards
Clyde—————————-
“Think in 3D”
Clyde DeSouza
https://www.realvision.ae/blog
—————————–
Reply to this Discussion! Login or Sign Up