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source tapes with audio in 32k and 48k
Hi everyone.
I am assisting with a project that has some source tapes with 32k audio and some with 48k audio. I’ve heard that this will be sort of a nightmare to work with (clips with the 32K audio will have to be rendered every time they’re moved around in the sequence, right?). Luckily, it’s a relatively small number tapes with the 32K audio, 20 out of 80, and I’m thinking it would save time and inconvenience down the line if I were able to convert the audio to 48k somehow. How would you suggest that I do this? Digitizing them, converting the audio, and laying them off to tape again? Is there a better way?
Thanks so much for your help!
Kate -
2 Replies
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Well, you COULD lay the tracks on the timeline, export them as AIFF, convert those exports to 48kHz with iTunes or Quicktime Pro, then import them back into FCP.
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I’m not sure what format you’re working with and what equipment is at your disposal but feeding from a deck with component and balanced audio out into a device like an AJA lo should do it on the fly.
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