Activity › Forums › Apple Final Cut Pro Legacy › Sony HVR-V1U / 1080i60_29.97 means true 29.97 or 23.98
-
Sony HVR-V1U / 1080i60_29.97 means true 29.97 or 23.98
Posted by Anhtu Vu on January 21, 2011 at 2:25 pmI’m working with a director who shot on the Sony HVR-V1U. She can’t remember the settings used during shooting. After importing ( via firewire ) in FCP 7, the clips show 1080i60 @ 29.97 but if i remember correctly the HVR-V1U records 24p on a 1080i60_29.97 stream…so how can i find out which native frame rate it was recorded at originally.
Jeff Greenberg replied 15 years, 3 months ago 5 Members · 7 Replies -
7 Replies
-
Mark Maness
January 21, 2011 at 3:19 pmWell, set your Easy Setup to 1080p23.94. If you can see your video and it plays fine, then the video was shot 1080p23.94 in the camera.
_______________________________
Wayne Carey
Schazam Productions
https://web.mac.com/schazamproductions
schazamproductions@mac.com -
Ken Jones
January 21, 2011 at 5:09 pmIf you play back the the tape in the HVR-V1U it should show all that info on the flip-out display.
-
Anhtu Vu
January 21, 2011 at 7:31 pmWell Wayne, unfortunately it’s not that simple, wether you use Easy set up @ 1080p23.94 or 1080i60_29.97, they both work fine.
-
Anhtu Vu
January 21, 2011 at 8:15 pmoops talked too soon…i have no access to the original source footage so is there a way to find out from the captured files on FCP ???
-
Scott Stolzar
January 21, 2011 at 8:42 pmSo I’ve dealt with 24p and the Z1U, so this may not be applicable. With that camera the footage had to be recorded in 24pA and then change the Easy Setup to HDV-Apple ProRes 1080p24 for capture. That would remove the 2:3 pulldown and make it play back at 23.98. If it was set to just normal HDV 1080p24 the pulldown would not be removed. Recording in just regular 24p on that camera would give the cadence of 24 but would in fact be recorded and then captured/edited at 29.97.
Without the tapes though, I don’t think there’s a way to tell whether the pulldown was marked on the tapes.
-
Jeff Greenberg
January 22, 2011 at 6:59 pmTry this:
Set the Canvas (or viewer) to 100%. This is the only way to see the fields in FCP.
Now, step through the footage, looking for areas of high motion.
If the footage looks like the fields are interlaced with the 3:2 pattern of frames (3 good frames, 2 very odd/interlaced frames)…over and over…then it’s truly 24 frames with a telecine field pattern.Best,
Jeff G
Apple Master Trainer
Avid Cert. Instructor DS/MC
Avid & Color Videos Vasst.com
Compressor Essentials Lynda.com
Reply to this Discussion! Login or Sign Up