I think Walter was referring to an HD scope but nonetheless I have also found that in SD the fcp scopes to be quite accurate, certainly within a couple of units. Having worked on some broadcaster systems who have tek scopes I found there to be no difference either in chroma or luma. As for the color finesse scope I have also found those to be quite accurate and really more user friendly than most outboard new generation scopes. I think the color finesse plug in for both fcp and ae are outstanding values. I can’t recall if color finesse has primary and secondary color correctors but bit depth is great and flexibility is amazing. It has far better quality if you are working in a 32 bit space in AE though versus the FCP world. So if you have a single shot or a short number of shots then do them in AE
(I digress) The scopes in both are quite accurate but the fcp one lack the ability of constant update however I think the guys at ripple training had a tip to watch it in full update mode
best
mike belanger
dandelion editing