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“rough” monitor for broadcast
Can one get a rough idea for broadcast by using a second, good quality, DVI monitor, on a decent dual monitor card (NVidia Quadro FX4800), and then calibrating to as close an approximation of broadcast colour space as possible? Premiere supports full screen output to a second DVI card in CS5, so this seems like a feasible option.
If not, would a Decklink card with a high quality (non-broadcast) Plasma display be a better idea? I don’t have the budget, at the moment, for a true pro broadcast monitor. If that works, which Plasma display would anyone recommend?
(This system will be offline, with a final colour correct in a studio with broadcast equipment, but I still want it to go out in good shape!)
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