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random moron stereoscopic question
If you are cutting a stereoscopic piece offline to be remastered online at a second facility, where they are handling left right red files, and interleaved 50i hdcamsr –
are you making their lives hell by proposing dve push ins on the footage? I’m doing it in FCP classic, er, so that, but – given avid is the thing for this I thought to ask – is it viable to call small edit push-ins for stereoscopic imagery? Is that viable? where some is going to be ultimately left right file red, and some is 50i interleaved live record sports stuff?
would be some sort of per shot notation hand off on a few shots type thing. as long as its not a titanically bad idea, said the ignorant.
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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