Quicktime question

[Russell Lasson]

If you’re audio guy will accept an OMF, that’s totally the way to do it. OMF not only keeps the each track separate, but it also keeps each audio clip separate. This makes it much easier on the audio guy.

OMF’s do have a size limit, so if you have a long film then export your tracks in batches by turning them on or off.

-Russ

Russell Lasson
Kaleidoscope Pictures
Provo, UT

[Walter Biscardi]

[Paolo Mugnaini] “I need to export in as many audio channels as possible for the audio guy that is mixing my movie.
Any ideas? “

From your timeline, Export > Audio to OMF.

Walter Biscardi, Jr.
Biscardi Creative Media
HD and SD Production for Broadcast and Independent Productions.

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[Tom Wolsky]

Or Audio to AIFFS, setting each channel to be a mono rack or part of a stereo pair.

All the best,

Tom

Class on Demand DVDs “Complete Training for FCP6,” “Basic Training for FCS2” and “Final Cut Express Made Easy”
Author: “Final Cut Pro 5 Editing Essentials” and “Final Cut Express 4 Editing Workshop”

[Paolo Mugnaini]

Guys,
I was thinking of trying them all but your input made it a whole lot easier!!!
Thanks!!!

Paolo

FCP 5.1.4 – PowerMac 2.2 Dual – 4.5 Gb Ram
1Tb G-Raid2 – 2 1Tb Lacies