Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Apple Final Cut Pro Legacy Problem working with HDCAM 1080 50i

  • Problem working with HDCAM 1080 50i

    Posted by Pedro Marin on April 23, 2010 at 3:31 am

    Hello,

    I’m trying to work on a project we shoot in spain few weeks ago. Everything was recorded to HDCAM 1080 50i. I captured the tapes through the AJA LHi card installed on my Mac Pro to Apple ProRes 1080 25fps from an HDCAM deck. I have 6 clips total with a length of 5 min max. per clip. We want to put this project, which is a concert music video, on portals like youtube and vimeo, etc but also it would be on TV.
    What is the best way to go in order to edit the whole thing in 24p or 30p. Do I convert every clip before editing or edit it as it is at 25 in my fcp sequence and then convert the final clip to 24 or 30? The final piece would have audio from CD but sweetened to get a live feeling.

    Thanks.
    Ptr

    Pedro Marin replied 16 years, 4 months ago 2 Members · 4 Replies
  • 4 Replies
  • David Roth weiss

    April 23, 2010 at 4:47 am

    Why? Precisely what is the goal you seek to achieve? Is this about a look you hope to achieve?

    David Roth Weiss
    Director/Editor/Colorist
    David Weiss Productions, Inc.
    Los Angeles

    POST-PRODUCTION WITHOUT THE USUAL INSANITY ™

    EPK Colorist – UP IN THE AIR – nominated for six academy awards

    A forum host of Creative COW’s Apple Final Cut Pro, Business & Marketing, Indie Film & Documentary, and Film History & Appreciations forums.

  • Pedro Marin

    April 23, 2010 at 3:16 pm

    Hi David,
    what I’m trying to achive maybe is not a look or maybe it is. If I conform on cinema tools to 23.98 everything will strech (4% slower I think) and pitch would not work for me since this is a music concert video.
    Now, I been cracking my head looking how can I achive this, so I made a test since I need to deliver a SD NTSC 29.97 ASAP. I edited everything on native 25 ProRes and exported from FCP with current settings on timeline, then I went and conformed the exported file on cinematools to 23.98. Went back to FCP, made a new sequence 720×480 29.97 and then I placed the conformed file and speed it up to 104.15% if I’m right, and that solved the pitch issue. Exported again
    and in compressor I applied the desired compression for delivery.
    It worked but I know this is not the best way of doing it. I also need to deliver
    for web in 720p HD and make another one 1080p that for those I would
    need to have them progressive. As you see I need a variety of delivery formats.
    Thanks and hope you can help.

  • Pedro Marin

    May 4, 2010 at 3:51 am

    Hi, I just want to know if someone can help with this above I asked. Thanks.
    Pedro

  • Pedro Marin

    May 7, 2010 at 8:14 am

    Hi David,
    what I’m trying to achive maybe is not a look or maybe it is. If I conform on cinema tools to 23.98 everything will strech (4% slower I think) and pitch would not work for me since this is a music concert video.
    Now, I been cracking my head looking how can I achive this, so I made a test since I need to deliver a SD NTSC 29.97 ASAP. I edited everything on native 25 ProRes and exported from FCP with current settings on timeline, then I went and conformed the exported file on cinematools to 23.98. Went back to FCP, made a new sequence 720×480 29.97 and then I placed the conformed file and speed it up to 104.15% if I’m right, and that solved the pitch issue. Exported again
    and in compressor I applied the desired compression for delivery.
    It worked but I know this is not the best way of doing it. I also need to deliver
    for web in 720p HD and make another one 1080p that for those I would
    need to have them progressive. As you see I need a variety of delivery formats.
    Thanks and hope you can help.

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy