Premier ePro new version reveal

[Shawn Miller]

I really want to try the face tracker. I probably don’t have a real use for it yet… but it looks like fun.

Shawn

[Lance Bachelder]

Crazy how they placed the new Lumetri color panel exactly where the Color panel is in FCPX – which I love by the way. Nice move Adobe.

It was at a Vegas premiere that I resolved to become an avid FCPX user.

Lance Bachelder
Writer, Editor, Director
Downtown Long Beach, California
https://www.imdb.com/name/nm1680680/?ref_=fn_al_nm_1

[Steve Connor]

Looks very good, can’t wait for the release!

[Santiago Martí]

I think the placement has to do more with Lightroom/Photoshop.

Santiago Martí
http://www.robotrojo.com.ar
Red One M-X, Red Epic X waiting for Dragon update, Red Pro Primes, Adobe CC, Assimilate Scratch

[David Cherniack]

[Lance Bachelder] “Crazy how they placed the new Lumetri color panel exactly where the Color panel is in FCPX – which I love by the way. Nice move Adobe.”

Not so crazy as we can assume that the color panel, like all panels in the Premiere Pro UI, will be moveable and undockable so it’s position will a matter of user preference.

David
https://AllinOneFilms.com

[Tim Wilson]

And in case y’all didn’t see on the index page, here’s Kylee Wall’s complete coverage of Adobe’s Creative Cloud announcements. Some pretty wild-looking stuff….

[Craig Shields]

Also on retooled. https://www.retooled.net/?p=1633

[Scott Witthaus]

Morph Cut? Seriously? “Solving the problem of jump cuts in talking head interviews”.

How about getting the right cutaways or cover? Let’s make it possible for news producers or political spots to completely eliminate context as a pesky barrier. Make them say whatever works best for you. Ugh.

I can’t speak for the AE improvements, but what I see from the Premiere stuff (the color corrector is the nicest thing, IMHO) in no way makes me want to jump up and subscribe.

Scott Witthaus
Senior Editor/Post Production Supervisor
1708 Inc./Editorial
Professor, VCU Brandcenter

[David Cherniack]

[Scott Witthaus] ” Let’s make it possible for news producers or political spots to completely eliminate context as a pesky barrier. Make them say whatever works best for you. Ugh.”

I do believe that’s possible to do with existing technology. Morph Cuts will only make it possible to do more seamlessly. But like doing same with cutaways what you’re talking about is within the provenance of integrity not of tools.

For those cases where content-adding cutaways are not available morph cuts is the greatest thing since…well…the Ginzu Knife (which was even greater than sliced cheese.)

Anyway, try it and be amazed.

David
https://AllinOneFilms.com

[Scott Witthaus]

[David Cherniack] “But like doing same with cutaways what you’re talking about is within the provenance of integrity not of tools.”

You are correct here. Morph cuts makes it simpler to deceive in some hands. At least with a cutaway, a semi-knowledgeable person could deduce that “something” might have happened underneath that cover.

[David Cherniack] “Anyway, try it and be amazed.”

Problem is that it’s in Premiere…

Scott Witthaus
Senior Editor/Post Production Supervisor
1708 Inc./Editorial
Professor, VCU Brandcenter