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Premier ePro new version reveal
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[Paul Neumann] “Hit D (select clip at playhead) and then M while the timeline plays. This puts the marker on the clip.”
Or select the clip with the mouse.
And clip markers move with clips.
David
https://AllinOneFilms.com -
“And clip markers move with clips.” Which is why they are so much more useful than sequence markers. In FCP as well though, they felt like the poorer cousins.
In Ppro you can’t edit a clip marker from the keyboard, you can’t edit a clip marker without stopping playback and you can’t extend the range at all. You also can’t see clip markers in the markers window without selecting clips.
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[andy lewis] “In Ppro you can’t edit a clip marker from the keyboard, you can’t edit a clip marker without stopping playback and you can’t extend the range at all. You also can’t see clip markers in the markers window without selecting clips.”
It ain’t perfect, it’s very true. But make feature requests. The Adobe guys do listen and the squeaky wheels do tend to get greased. Maybe not as fast as we’d sometimes like but they don’t have infinite resources, either.
David
https://AllinOneFilms.com -
For me the avid methods work for speed.
Track selection by keyboard follows source/record focus
‘Auto-patch’ is an option – so selected source tracks are patched to selected record tracks, change the selection and the patch moves.
Tracks selectable are A1-24 and V1-24. (They don’t have separate ‘source’ and ‘target’ toggles)
Couple of screengrabs to show what I mean, hopefully. Keyboard only in Avid bits, not possible in PPro.
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[Walter Soyka] “Fair. I should probably pick on the pace of Motion development instead!”
And wham! 3D text.
Walter Soyka
Designer & Mad Scientist at Keen Live [link]
Motion Graphics, Widescreen Events, Presentation Design, and Consulting
@keenlive | RenderBreak [blog] | Profile [LinkedIn]
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