Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Adobe Premiere Pro PPro – is there an intuitive split screen workflow yet?

  • PPro – is there an intuitive split screen workflow yet?

    Posted by Jimmy Brunger on January 25, 2012 at 3:35 pm

    Hi all,

    I feel almost embarrassed asking about this, but it appears to have me perplexed!…

    I want to edit using a simple 2+1 or vertical thirds split screen effect (something that would be a piece of cake for a short sequence in AE – however I have ALOT to edit and realtime playback/feedback as I cut is essential in this case)

    However I can’t seem to find an elegant solution for building this template in PPro without nesting each shot and pan/scanning and doing all animation in the nest so it doesn’t take the track matte with it. I want the 3-up or 4-up split screen frame to stay put and move the shots inside around to frame the action as I go. This is near on impossible when you can’t view the result as you go – instead I’m flicking backwards and forwards between comps for reference to fine tune what should take seconds. What might make it easier is the ability to ‘lock’ the parent sequence’s program window when working in child comp (a la AE) – can’t figure out how!

    I searched this topic on here a bit before posting, and it seems to be a common problem – has an *effective* workaround been figured out by anyone yet?

    I’ve tried track matte, set matte, etc and they all do the same…moving mattes!!!

    I need to figure this out before going much further into the edit.

    Any help MUCH appreciated!

    Jim.

    ——————————-
    Production Premium CS5.5 – Mocha v1.5
    MacPro 3,1 8-core 3.2GHz / 32GB RAM / NVidia Quadro 4000 / OSX 10.6.8
    Decklink Extreme+ 3D / 3TB RAID-0 local / 6TB XServe + United Digital RAID on 10GbE

    Anna Shumakova replied 14 years, 1 month ago 4 Members · 9 Replies
  • 9 Replies
  • Ann Bens

    January 25, 2012 at 5:04 pm

    Track Matte should do the trick, but try the Crop effect or a Garbage Matte.

    ———————————————–
    Adobe Certified Expert Premiere Pro
    Adobe Community Professional

  • Jimmy Brunger

    January 25, 2012 at 5:11 pm

    Hi Ann,

    Don’t mean to be rude, but did you read my post?….the problem is when I scale or move the video layer that I want to pan/scan within the matte shape, it moves/scales the matte layer too. I need the matte layer(s) to stay still at all times and it won’t!

    ——————————-
    Production Premium CS5.5 – Mocha v1.5
    MacPro 3,1 8-core 3.2GHz / 32GB RAM / NVidia Quadro 4000 / OSX 10.6.8
    Decklink Extreme+ 3D / 3TB RAID-0 local / 6TB XServe + United Digital RAID on 10GbE

  • Kris Merkel

    January 25, 2012 at 7:58 pm

    You can create a new title and then add shapes to it. Make your title background black. So you have white shapes and a black background. Put this title on layer 4 (or wherever) just above the video layers and apply a luma key to it. Set your threshold to 0 and your cutoff to 100 and you will essentially have created a shape matte to mask your videos.



  • Kris Merkel

    January 25, 2012 at 8:02 pm

    I hope that helps, see example.



  • Ann Bens

    January 25, 2012 at 9:24 pm

    OK sorry did not read the post well.
    Pro works somewhat different then AE as its a NLE. AE is not.
    Clip in track one.
    Make white shape in title
    Set it in track two
    Nest clip in track one.
    Go into nested clip by double clicking
    Add shape to track two and lower opacity.
    Animate clip.
    When done pook the eyball of track two.
    Back into main sequence
    Add Track Matte effect to clip and
    set it to the shape.
    If you want three different clips to animate within a shape.
    You need to repeat the proces twice.
    Track 1,3 and 5 will contain the nested sequences
    Track 2,4 and 6 will contain the shapes.

    ———————————————–
    Adobe Certified Expert Premiere Pro
    Adobe Community Professional

  • Jimmy Brunger

    January 26, 2012 at 12:07 pm

    Thanks all, will try this…

    ——————————-
    Production Premium CS5.5 – Mocha v1.5
    MacPro 3,1 8-core 3.2GHz / 32GB RAM / NVidia Quadro 4000 / OSX 10.6.8
    Decklink Extreme+ 3D / 3TB RAID-0 local / 6TB XServe + United Digital RAID on 10GbE

  • Ann Bens

    January 26, 2012 at 12:11 pm

    BTW Your still stuck with nesting. Quick access to nested sequence in selected track is Shift+T.

    ———————————————–
    Adobe Certified Expert Premiere Pro
    Adobe Community Professional

  • Jimmy Brunger

    January 26, 2012 at 12:18 pm

    Ahh…oh yes I see. Hmm…might have to just do whole edit in AE!

    Do you know if there’s a way to ‘lock’ or view a parent sequence, whilst I’m adjusting things in the nested comp? Otherwise it’s a bit of a nightmare to see your results in context to the splits.

    ——————————-
    Production Premium CS5.5 – Mocha v1.5
    MacPro 3,1 8-core 3.2GHz / 32GB RAM / NVidia Quadro 4000 / OSX 10.6.8
    Decklink Extreme+ 3D / 3TB RAID-0 local / 6TB XServe + United Digital RAID on 10GbE

  • Anna Shumakova

    April 16, 2012 at 7:56 pm

    Hello Premiere Gurus,

    I have the same issue with split screen editing,

    Is there anyone who is willing to do a Video Tutorial on this topic? 🙂
    It would much appreciated!!

    Thank You,
    Anya

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy