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Activity Forums Blackmagic Design Panasonic 24P > Decklink Extreme> FCP workflow

  • Panasonic 24P > Decklink Extreme> FCP workflow

    Posted by Peter on June 7, 2005 at 10:18 am

    Hi All,

    I’m about to start my first 24P project and was wondering if anyone could share their experience with a successful workflow. Camera will be a Panasonic AG-DVX100, can digitize via firewire from the camera or a Sony DSR-45, editing FCP 4.5 with a Decklink Extreme, and monitoring through the Decklink Extreme to a Sony PVM. Final output will be to BetaSP and maybe DVD.

    I’ve read quite a bit on the Cow forums but still have a few questions:

    1. What mode with the Panasonic AG-DVX100? 24P or 24PA

    2. What BM Easy Set-up to use?

    3. Is there another step somewhere after digitizing for 3:2 pulldown.

    4. Any other considerations?

    Thanks in advance!

    Adam Levine replied 20 years, 11 months ago 2 Members · 1 Reply
  • 1 Reply
  • Adam Levine

    June 7, 2005 at 7:46 pm

    Worked on many projects with this camera.

    Select the “DV-NTSC 23.98 Advanced Pulldown Removal” Easy Setup

    In the AV Settings, change playback (audio and video) to BlackMagic NTSC 23.98 8-bit

    Save Easy Setup (I call it “FW Capture/BM playback 23.98 Adv”). I have a similar Easy Setup for 29.97 and normal 3:2

    With this Easy Setup you will be ready to capture via FW and playback via DL. I keep the DV deck hooked up to the monitor via SVideo, and the DL via YUV, so I have to switch back and forth when capturing/cutting.

    When you’re done, export an “offline” DV movie with window burn

    For online:

    Media Manage the project:

    Recompress
    Recompress Media Using BM NTSC 23.98 8-bit (see below)
    Include Master Clips
    Delete unused Media
    Use Handles (3 secs, should cover most issues)
    Include Affilliate Clips
    Duplicate selected Items and place in new project

    Use 10-bit if you have graphics or lighting effects that require it. Otherwise, I find it to be a waste of time/storage

    In the new BM sequence, add new layers below V1/A1-A2. Lay in the offline, so it’s TC matches the TC of your new seq. Use this to double check for errors in the Media Management process.

    Color, titles, graphics

    Lay back. DL will insert normal 3:2 pulldown to your Beta SP 29.97 tape. I always master to NDF for the master.

    QC

    Have a beer.

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