-
P2 footage to 35mm for theatrical release
Hi,
I’m approaching picture lock on a feature mostly shot with an HVX 200 in 720 24pn.
I’ve been in production for the past 3 years and I have to admit I lost touch with the rest of the world and I’m completely outdated on current technology and workflows.Loved if all you brilliant people could point me in the right direction 😉
I would assume this would be a covered subject in the Cow but I’m probably using the wrong keywords in my search…
My question is which would be the optimal file formats and workflows to follow, in order to make the most out of DVCPROHD 720 24pn footage?
Note: Footage was transfered to FCP in its native format, but with workflow I used, I could easily go back as far as the cards themselves (data clones, of course).If you’re curious and wanna check it out… https://www.roadtored.com/
Thank you!!!
Tito
-
1 Reply
-
Find a post place that does this and ask them. Asking a bunch of yahoos on a forum how to prep your show for a company to output isn’t the way to go. We don’t know how they want things. Only they know that. Ask them.
Need suggestions? I know of a place or two here in LA…
Shane
GETTING ORGANIZED WITH FINAL CUT PRO DVD…don’t miss it.
Read my blog, Little Frog in High Def
Reply to this Discussion! Login or Sign Up