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outputting EX! time line to play on 50″ plasma
I’m just trying to get the best image possible here for outputting from my EX XDCAM timeline to SD DVD
for playback on a 50″ plasma screen. I’m still not getting the best results, although the image looks better with outputting a Prores HQ 720X480 16:9 qt and taking that into compressor, but I’m wondering if I should start with a better file.The AV company’s 50″ Plasma screen makes my DVD look like garbage, although on my 46″ LCD TV connected via HDMI looks wonderful! The client is not happy, and is blaming me, not the AV company, although I have concerns about their DVD player and or Plasma stretching my DVD’s image, Any advise would be appreciated.
Other compressor questions include:
Should I use Frame Control?
Should I output a progressive or interlaced M2V file in Compressor?Thanks Much.
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21 Replies
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Maybe this is a silly question but with a 50″ plasma why are they limiting themselves to an SD DVD?
You could burn blu-ray in Toast.
You could give them a 720p24 file to play on an Apple TV.
A reasonably inexpensive computer with a DVI to HDMI connector could play an H.264 file at HD frame size.Why would they go through the effort to have a 50″ plasma and not spend $200-$300 to feed it HD video?
Heck, Wester Digital has an HD media player that lists for about $130 and may be around $100 retail and plays 1080phttps://www.wdc.com/en/products/products.asp?DriveID=572
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[Greg Ball] “The client is not happy, and is blaming me, not the AV company”
Your client is an idiot. If it looks good on your 46″ monitor, it looks good period. You need to rip into the AV guy for providing a junk display unit.
When we first bought our F-900 HD camera, we took it into Ultimatte Electronics and plugged the component connectors into their system. The results were fascinating. We sent a 24p feed and all of the Plasmas played it fine. Non of the LCDs showed a normal picture. It was distorted or stretched on all of them. Also, price was not a dividing line. The Mitsubishi units were a total let down, JVC looked very good and the high dollar Pioneers put them all to shame. (2002)
I would suggest that you somehow play it out to both units, side by side if possible.
A few years ago, a client of ours played a video we produced, at a Washington DC dinner with quite a few Legislators in attendance. They called the next morning and ripped us because the audio was way off. The house AV crew gave them ten reasons how WE screwed it up. I asked the client if it was the same disc that we played in their conference room the day they left and I asked them if the sound was in sync when we watched it. They said that it was. They also said that it was in sync when they watched it the morning of the dinner. I explained that the AV people sent the signal through a digital DA and that slowed up the image by 7 frames. The AV crew needed to run the audio through a Rane 22 audio delay and then I asked them to send me a copy of the spec sheet from the AV people. There was no audio delay specd by AV. The AV crew screwed up and then blamed it all on me because they sure didn’t want to catch hell and they wanted paid.
When the client got back to Phoenix, one of the company VPs assured me that the problem was us because the AV guys were Washington DC professionals and they wouldn’t lie. Let me repeat that “The people in Washington DC do not lie”. What a fool.
We watched the DVD again and it was in perfect sync but they still suspected that somehow, it was my fault. The good news is that they eventually hired two in-house video guys and last June, they went to DC again. This time, they had another DVD and their video guys were with them. They played their DVD at the same venue and during rehersal, you guessed it, the sound was early. When the AV guys started with their usual “It’s not my fault” argument, the client’s guys were there to defend themselves. The AV crew ordered the Rane unit and synced the audio. Upon their return to Phoenix, the CEO of the company called me to tell me the story. You see, he was the only one who believed me the first time. After working with us for ten years, he knew what to expect.
If your image looks good, prove it. Make sure the client sees the truth.
Steve Wargo
Tempe, Arizona
It’s a dry heat!Sony HDCAM F-900 & HDW-2000/1 deck
5 Final Cut (not quite PRO) systems
Sony HVR-M25 HDV deck
2-Sony EX-1 HD . -
I know this might be a bit off thread but when you mentioned DVD I wondered whether you had ever used BitVice for encoding. I am now on their version 2.4 and it’s way better than the earlier versions and does a fantastic job. I take it in as an exported 1920 x 1080i timeline and the standard def DVD is good. I recently saw one of these DVD’s projected on a huge screen (not plasma) in a cinema and it looked perfect. Mind you the DVD was played in a Panny Blu-Ray player which upscales. That is the only sensible way to play SD DVD’s the player costs under £200 ($250?). Those guys in Washington were idiots, the AV people should always listen to the producer, he generally knows how to show his stuff to the best advantage.
Michael Slowe
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Yeah SD + 50″ Plasma= crap. 🙂 Blu-Ray to 50″ Plasma= nice! OR 1080p H.264 via DVI to Plasma also = NICE. 🙂
-Noah
Check out My My FCP Blog and my new RED Blog. Unlock the secrets of the DVX100, HVX200 and Apple Color.
Now featuring the Sony EX1 Guidebook,
DVD Studio Pro and How to Light Interviews.
https://www.callboxlive.com -
So Noah, how would I get to a blue ray using FCP, Compressor and DVD SP? I can’t right? How was your EX1 Guidebook created? Will that look like crap on a plasma? Frankly your DVD looks good on my 46″
How would I provide 1080p H.264 via DVI to Plasma? What would they play this off at a large trade show?
Lastly I’m trying to create an H.264 and it’s taking 9 hours though compressor from my ex1 time line. Why would that be?
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Ha- thanks for the compliment. That’s an anamorphic 24p 16:9 DVD that started life as 720p HD. It’s about as good as you could get other than 1080p or 35mm originated footage. But that said it’s also about the quality of the upconversion happening on the plasma- some do a much better job than others at playing out SD. Conversion to H.264 from XDCAM EX depends on your system speed- also whether you’re doing a down convert at the same time. I’d go to ProRes out of FCP and then to H.264 in Compressor.
You can’t make a Blu-Ray with FCS these days- but you can try with Toast, Encore and of course an external burner. But I’d go with the DVI connection, via say a desktop machine with a nice graphics card or even a Mac Mini which IMHO is the *perfect* convention/kiosk system to playback HD with. You can easily go DVI to HDMI and connect to most any HD display with high quality.
-Noah
Check out My My FCP Blog and my new RED Blog. Unlock the secrets of the DVX100, HVX200 and Apple Color.
Now featuring the Sony EX1 Guidebook,
DVD Studio Pro and How to Light Interviews.
https://www.callboxlive.com -
Yes but Noah, what if you’re giving say a DVD for playing somewhere. Do you reckon we’re better off doing a decent SD DVD and hoping it will be played in an upscaling player, there are plenty about now and not necessarily Blu-Ray? I would love to make Blu-Ray discs and the burning is easy – Toast 9 and a burner- but what about encoding? Also there are not all that many players around yet, maybe when the economic situation improves. It’s a pity, but our stuff has to end up on DVD’s now and it’s the quality that bothers me as compared to good old tape!
Michael Slowe
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Exactly Michael! That’s what I need to do. Give my client a DVD shot on EX1 that will play wide screen anywhere. For example, trade shows on large screens and for their sales force to take to client meetings.
Also, can the combo of Toast 9 and a blue ray burner create a auto play/looping DVD? How would this work for a trade show otherwise?
Is this worth the investment and a short term solution until FCP/Compressor/DVD SP provide a blueray option? -
The question I have is why can’t the sales force that pays thousands of dollars for the 50″ Plasma spend $200 on a Blu-ray player, $100 on the Western Digital HD player, bring a laptop to connect to the HDTV?
Why are they locked into DVD? Certainly not cost. Certainly there’s no scarcity of playback devices at the local consumer electronics stores.Consumers may not be buying Blu-ray players but this is a sales force not a consumer and one would expect them to make the best pitch for their product or service.
Certainly one can use EX source to make a good SD DVD but you have no way of knowing that they’re using a good upscaling DVD player with HDMI connection or simply using composite out of an older DVD player. Then they blame you for their poor hardware. If you give them HD, they use an HD player, there’s much less likely to be a problem.
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For one thing I’m sure I haven’t listed all of the uses for their DVD, but the bottom line is there must be a way of creating a good DVD from the EX1. There are many of the cameras out there. You can’t expect a sales person to bring a blue ray DVD payer with them to a client. And how would I make a blueray DVD anyway?
The WD HD player looks interesting, but I don’t think it would be reliable over a two day period to continually play a loop. As a matter of fact will it even play a loop? The unit gets mixed reviews.
The Laptop scenario sounds interesting for the trade show too. But here’s some questions.
1. Reliability – now you ned to trust a client’s laptops. Not all laptops will play a large file.
2. If they were using a laptop, what kind of file would they need? .h264?
3. Can a .h264 loop?
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