New FCPX confirmed for December

[Aindreas Gallagher]

[Keith Koby] “Really? If I ever had any respect for the content you post here, it is completely gone now… Sad.”

oh for the love of god.

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[Keith Koby]

[Herb Sevush] “So go ahead, explain to me why I should give a damm if my editing system can handle 4K multicam any more than I care if it can handle 3D.”

I don’t believe I can explain to you why you should give a damn. Reread my first post for reasoning of why other media professionals care about processing power at price point and maybe it will sink in. 4k sources are way more common today than I suppose you care to admit.

[Herb Sevush]

[Keith Koby] “Reread my first post for reasoning of why other media professionals care about processing power at price point and maybe it will sink in. “

OK, I think we have a bit of a communications gap here.

I wasn’t downplaying the processing power needed to work with 4K, I’m all in for that. I was downplaying the marketing hype of 4K, whether from Apple or at Best Buy.

I’d rather hear about how fast the Tube can render HD .264 files, or examples of handling complex timeline effects without rendering, or hear about 16 camera multicam in HD uncompressed. I’m aware that 4K assets will get more common as time passes, I might be shooting some 4K for title sequences and promos this year, but I don’t think talking about 3 camera 4K multicam means anything to anybody working in broadcast. Pitching the entire Tube marketing campaign around 4K is rather silly IMHO.

Herb Sevush
Zebra Productions
—————————
nothin’ attached to nothin’
“Deciding the spine is the process of editing” F. Bieberkopf

[Aindreas Gallagher]

[Keith Koby] “I don’t believe I can explain to you why you should give a damn. [tough for you there keith no doubt], Reread my first post for reasoning of why other media professionals care about processing power at price point and maybe it will sink in. [oh If only we could see the world as you do kolby] 4k sources are way more common today than I suppose you care to admit.” [my god you’re right – suvesh is refusing to admit a truth he knows deep within]

I mean, I guess there’s nothing wrong, per se, with making noises like a tea party activist on behalf of those currently executing professional work through FCPX. You’d have to think FCPX has quite a few moderates these days though.

herb just told you he doesn’t see a reason to give a gigantic sod about 3D or 4K –
neither do I really – and I actually just cut together a pile of super-slomo Red 3D shot on wimbledon centre court. (I really just threw that in to name drop if I’m honest.)

the UK has largely dumped 3D for broadcast and most people are on DSL for delivery. no one should realistically give a damn about 4K, given that pipe, for quite some time.

what part of all this has you driven insane?

https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics

[Timothy Auld]

I worked on something this year that was shot with the RED Epic. It hit theatrical screens at 1080.

Tim

[Jeremy Garchow]

Is it just me or is the Slog2 LUT completely weird?

[Dan Stewart]

I agree. 256Gg flash? That’s just a boot drive. I was hoping for a fat 2Tb for a 16bit HD conform timeline for SMAC finishing. Feels like you’re going to have to add a fast local thunderbolt raid if you want to make this thing work well.

[Keith Koby]

Thank you for weighing in, Mr. Impartiality.

[Chris Harlan]

[Keith Koby] “[Herb Sevush] “I work on half hour cooking shows broadcast on PBS. I’m as interested in working in 4K as I was in 3D. Take a moment for that to sink in.”

Really? If I ever had any respect for the content you post here, it is completely gone now… Sad.
“

No. This comment is sad.

[Chris Harlan]

Badger up your butt?