Keying out Green and Blue in the Same Shot

[Eric Goldstein]

A final note:

After experimenting with many of the methods suggested and some others, the best result I’ve come up with is using two layers: one key for the blue and below it, one key for the green. I expanded the edges of the blue tracking mark key and softened them. I then use use the track matte on the main greenscreen layer to use the blue track mark layer’s alpha.

Thanks again for everyone’s help.

Eric

Eric Goldstein
Giraffe Film Company
Los Angeles
eric@giraffefilm.com