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Is the name clouding our judgement?
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[Bill Davis] “I may not own (or even have current access to) all the specific electric appliances, that I suspect I will come to enjoy in the future – but the fact that the electrical distribution network was designed into the basic architecture is the most critical factor.”
Well. I don’t think this was built for future formats, but rather built for current formats.
Just look at everything that’s available in just the “camera” section:
There’s there’s EXIF, IPTC, Image, Spotlight, and Studio sections as well.
It’s pretty incredible.
One thing I noticed, if you make a custom view with everything selected, not all of these options show up in the inspector. I am curious as to what “Color Space Override” is, but it won’t show up in the inspector, for example. Perhaps it’s reserved for certain file formats (like RGB), but even that doesn’t seem to make it show up.
Perhaps this functionality will become part of the Camera Import SDK and will allow camera manufactures to plug in to this architecture. I don’t know.
Jeremy
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[Bill Davis] “Those guys at ABC Sports aren’t pissed off. And cutting “billions of dollars on the line” replays for hundreds of millions of eyeballs is as pro as it gets.”
Which guys? Is there a link? Thanks
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[Jeremy Garchow] “I am curious as to what “Color Space Override” is,”
Simple guess: designing custom LUTs (and CDLs) for playback, for example: Shooting Arri S-Log to display as custom LUT.
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[Jeremy Garchow] “It’s not about the money, but it’s about the money.”
Truer words have rarely been posted! The irony and paradox surrounding this app are just awesome.
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[Richard Herd] “Simple guess: designing custom LUTs (and CDLs) for playback, for example: Shooting Arri S-Log to display as custom LUT.”
Ok. Gimme!
Although I’ll take log-c. 😉
Jeremy
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[Michael Aranyshev] “”Real production metadata” is something that comes from the set embedded in the video or audio file, not in email or on the post-it note. The constrain is not the type of information but the medium it is carried on”
Yes! The keywords associated to clips and compound clips in FXP need to be exportable as actual metadata, not just “in-app keywords” and available as an index file.
Everybody’s got their wish list? That’s mine.
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Agreed. I learned the hard way: DO NOT SHOW YOUR CLIENT THE RUSHES…EVER. EVER!!
Because the vision in their head and what the straight line looks like are too different. I have to “digital one light” and then show client.
Imagine having that on ingest.
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[Bill Davis] “imagine an internal Apple meeting where…”
I love this kind of speculation.
I imagine an internal Apple meeting where…
They said, “We are no longer going to pay licensing fees to third party developers.”
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[Bill Davis] “The “removed FCP7 from the shelves might have been nothing more or less than the patent license on some lines of internal code that Apple chose not to renew and which was set to expire.”
I’ve heard it mentioned a couple of times here on the COW. What lines of code would they be? For FCP Apple licensed EDL library from Alba Editorial and VTR control from Pipeline digital. Alba site is up but Pipeline is gone. Of course there is also OMF which is Avid.
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