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Hyperdeck Studio – an expensive paperweight?
We received our Hyperdeck Studio on September 26th, three months later than originally announced.
So far, we have yet to get any service out of it for the reasons I’m outlining below.
I’ve contacted online support and have yet to get a response.
I left a couple of notes here hoping to engage someone about the product. I received one response but haven’t heard anything more since I explained the problem further.
I’ve contacted our distributor who said they were going to pass it up through their channels. So far, nothing.
Here are our issues to date. I’m sure there are more, but frankly, we haven’t been able to do any more with the Hyperdeck Studio beyond getting it to record and play back to a monitor. Anything beyond that is uncharted territory.
1. The operations manual is a woefully inadequate single 8.5×11 sheet of paper that addresses none of the instructions needed to troubleshoot any of the issues below.
2. I’ve tried to connect the Hyperdeck Studio to house reference and consistently lose lock.
3. RS422 connector seems to be dead. Avid Media Composer does not recognize the presence of a deck of any kind. I tried connecting a Sony brand controller used with other machines with the same result. Also, no way to choose between local and remote (RS422 port) control.
4. The claim of having Timecode Options is suspect as all I can get it to do is start 0:00:00:00. The following claim is made on BMD’s Hyperdeck Studio section of their website:
“Reliable Timecode with Options
You can rely on HyperDeck Studio to capture with frame accurate timecode. Enjoy the ultimate in flexibility with real time code options virtually the same as you remember from broadcast decks! You get support for preset timecode, regenerate timecode from the last recorded clip or SDI timecode, all set via the included HyperDeck Utility. HyperDeck Studio even includes capture of metadata for integration with NLE editing software.”The only function I’ve been able to get it to do is pick up timecode where recording stopped (thus regenerating from the last recorded clip). Where is the preset? Where is the choice for SDI timecode?
5. The aforementioned Hyperdeck Utility doesn’t do anything. After telling me the Hyperdeck isn’t connected (it is) for a half second, an info box appears telling me the software is up to date. No option to open anything for configuration or control (as is stated in the timecode blurb – see above).
6. Placing an SSD drive from the Hyperdeck into a SATA reader produces nothing but garbled results. It will not import into either Avid Media Composer or Final Cut Pro. Instead, it seems to start importing the footage then causes both applications to quit unexpectedly.
The only reason I’ve held onto this long is the concept is viable and could be very useful to us IF they every can produce a unit that – literally – works as advertised. And of course the fact we own several SSD drives that weren’t cheap.
I’m extremely disappointed in BMD. We use many of their products regularly with very few problems. I’d even be willing to accept the issues given that’s it’s a new product and new products go through growing pains. What really is souring me is the lack of response and communication.