• Apple Final Cut Pro Legacy

  HVR-V1 24p workflow (NTSC camera to PAL export)

  Posted by Arturo Glass on July 27, 2009 at 5:34 pm

  I’m about to begin shooting a project on an NTSC camera but the final version will have to be PAL. Am I best off shooting 1080i60 in 24pA mode in order to edit on a true 24 fps timeline then convert to PAL, or better to shoot in standard 24p mode, edit in a 1080i60 HDV timeline and then conver with Compressor?

  Thanks fro any tips you have on workflows. I’ve found articles on this from 2007 but I’m wondering if newer versions of FCP (6.0.6) work better with these formats than earlier versions.

  Arturo Glass replied 17 years ago 1 Member · 0 Replies
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