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How to avoid 8-bit truncating?
Not sure if this is the right forum, but trying:
I have some image sequences that need to be converted to 4:2:2 ProResHQ. The originating format is 12bit Nikon raw (.NEF). I’ve tried to convert the Nikon RAW to 16-bit TIFFs and then use Quicktime, Compressor or Color to render out to Apple 4:2:2 ProRes HQ, but all applications seem to truncate the images to 8-bit. At least the banding appears very visible after the conversion. My Quicktime reference movie with the 16 bit-per-channel TIFFs has no visible banding. I tried to load the 16 bit-per-channel TIFFs in Color as an image sequence (no Quicktime), but that didn’t help.
Is there any way of making this conversion from 16bit per channel TIFF to 4:2:2 ProResHQ and maintain 10bit quality with FCS 2? Or will all FCS software truncate to 8-bit?
Aasulv Wolf Austad, fnf
Director of Photography
Los Angeles based