Creative Communities of the World Forums

The peer to peer support community for media production professionals.

Activity Forums Broadcasting House Reference and sync design…best approach needed!

  • House Reference and sync design…best approach needed!

    Posted by Jay Agoglia on September 25, 2014 at 1:57 am

    Hi Cow,

    I am replacing an old sync generator at my company. This finally gives me the opportunity to set up the house sync/reference and fix what I didn’t set up originally. Until we purchase a Tektronix spg-8000 or something similar. I have a few pieces at my disposal. I’ve been trying to convince the higher ups to let me design a sync patch-bay solution but they are totally against it, and (side note) would really appreciate any response or experience pro-sync patch-bay AND/or NO-sync PB.

    To my current question. we are a post house that distributes to broadcasters. We do not have live video feeds on air/web or any video cameras.
    We use encoders, NLE’s, VTRs, RS422 operations, VTR emulation, Frame Accurate lay-offs, Dubbing, video Conversions, QC, etc.

    What are some suggestions for this type of environment?

    Here is my list of important gear:
    1) Sync generator: Tektronix SCB-200N (4 BB, sync, blank, VI, Enc SC, SC outs)
    2) AJA Gen10 (for tri-level)
    2) DA: Leitch FR-684 DA’s (8×8)
    3) I also have Leitch FR-6804-1 Digital Glue? (havent looked into this yet)

    Two main ideas:
    1) To minimize sync being a potential issue and to quickly isolate if it is an issue when troubleshooting
    2) Most stable wiring for heavy workflows

    Since I have 4 BB outputs and an 8×8 DA…Do I focus on isolating workflow systems with the same grouping of sync signals or grouping identical equipment together, or spreading equipment out.

    I am most concerned about:
    MPEG Decoder boards
    VTRs: SR, D5, Digi Beta, etc
    FCP, Vegas and Premiere NLe’s (AJA Kona LHi boards & one with Kona3)
    Pipeline and other Network Encoders

    For the following workflow what is Ideal:
    Mpeg Decoder board (ref in & can be gen locked)
    EV Encoder 1(no gen lock or reference needed)
    EV Encoder 2 (Sync source can be ref in or video in, can be Gen locked)
    EV Encoder 3 (no gen lock or reference needed)
    Pipeline (Ref in and can be gen locked)

    thank you!
    -Jason

    Jason Agoglia
    QC Manager
    On The Spot Media

    Tom Matthies replied 11 years, 7 months ago 2 Members · 1 Reply
  • 1 Reply
  • Tom Matthies

    October 14, 2014 at 1:50 pm

    The AJA Gen10 is capable of outputting both “normal” and Tri-Level sync. You might consider using its dual outputs and sending each to a DA for distribution to your various pieces of equipment. Do you have equipment that actually requires Tri-level sync? If so, it should be happy with the Gen10 signals. I’m running one in a remote truck and it works well.
    Unless you have a number of “islands” of equipment, you are generally better off running the same reference to everything. You can’t go wrong with everything locked to a common reference.
    If you need something other than simple Black Burst, you might want to consider a more capable sync generator that is capable of a wider variety of output signals, although there isn’t as much of a demand for signals like horizontal drive, vertical drive or blanking as there used to be.

    Not my monkeys. Not my circus.

We use anonymous cookies to give you the best experience we can.
Our Privacy policy | GDPR Policy