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HDV capture in premiere seems to be a nightmare?
I’m an avid user getting very very tired of waiting for 720 25/50 support and am researching my options. with not much searching around here it seems like hdv capture via tape is not working too well in premiere?
We have the JVC 101 and BRD 50 HDV deck sitting there ready to work.
I am just wondering how things are going in this realm for premiere users? Indeed, how are things generally for the production suite and hdv… because to me it does sound- sweet!