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Geez, far out Masks, Mattes, and Alpha Channels
Well, alrighty then.
So, I go to photoshop and I make 2 new graphics. one zig zags and one poka dots. I make them consisting of 3 layers. A solid background, a copy of the background with the dots or zigs, and the third layer the dots or zigs on a transparent background. Ok two graphics one dots and one zig zags. I also go into channels, and with the dots or zigs selected, create an alpha channel. I save both artworks as varing amounts of layers from flattend thru the 3 layers with an alpha channel.
I load all sorts on combinations of layers, alphas, into AE and not only that I change the interpert footage settings- i.e. ignore, straight umatted,
and premultiplied-matted with color.Also, under modes I checked and unchecked the T transparency and inverted and also worked with the TrkMat.. Track Matte settings.
I now understand why I did not have a grasp on Masks, Mattes, Alpha Channels. Billions & billions (god bless Carl Sagan) of combinations. Man talk about complexity. When a person fully has a grasp of all of the effects available along with modes “silhouette alpha” (nothing’s NORMAL) one definately gets a gold star right in the middle of his forhead.
After ten hours today now, I at least appreciate what I am trying to understand. May the ghost of Einstien fly up my nose.
This definately has a difficulty factor of 8 or I gotta buy the book.(Chris & Trish Meyer’s)
Once again- I appreciate everyone’s help
AND… Has anyone been to http://www.photo.net– It would be way cool if this site also accomodated and displayed members motion graphics artwork– I know, big task but I’m a dreamer.
Not only that but I feel that what is going on here is a forerunner to a widely accepted artform. I know it already is an artform but “the people” don’t even know it.