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First Assistant Editor on WB 100M ‘Focus’ feature discusses roles, tagging, and sound work done in FCPX for the film
He gets into it on around the 42 minute mark. sounds a really smart coherent dude. And he definitely likes X quite a lot.
https://www.youtube.com/watch?v=JDY3xQazhy0#t=2667
He makes the point that sub roles are seriously powerful in that you can assign say per actor sub roles within the master dialogue role. and that can all flow to pro-tools in the AAF. it reduces a step for audiopost in identifying what audio belongs to what actor, or what audio record source.
As opposed to audio tracks, which are I suppose just lanes that don’t know anything about what’s on them.
he also has a number of goes at avid, including its keyframing.
Death To Avid.https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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