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film scoring in 24 on a 23.98 omf
I am lucky to be using Cubase which only lets 24 fps. I’m writing a few musical pieces for a Doc shot in 23.98 HD.
Because its not Dialogue, do you think that it will be okay that I continue working on it in 24 fps in Cubase? The Reels are all about 22min. I can’t seem to get a solid answer from the cubase forum and I don’t have the FCP file to import back into to give it a try.
Thanks
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4 Replies
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Note John’s VERY IMPORTANT REMARK.
23.98 DOES NOT EXISTS, it’s 23.976
(and even that is not accurate enough, but for now, it does the trick)So you can do the math on how far you’ll be off.
(if it’s indeed 24, it could also mean 23.976)Test, test, test, and see what happens.
And John, if you think you should put your photo online, please put in your glass eye.
Bouke
https://www.videotoolshed.com/
smart tools for video pro’s -
True 24 won’t sync to 23.98 (23.976). If your music has hits synced to picture you’ll lose sync as you move into the show.
John
MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.5 QT7.5.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID 5
24″ TV-Logic Monitor
Final Cut Studio 2 (up to date)Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN
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Can’t say it’s the same for scoring:
but back in the day when we had a 23.98 master, the mix house only could work in 24fps. BUT if we gave them a digibeta downconvert at 29.97, they could mix at 29.97 and the resulting AIFF’s sync perfectly back in FCP
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And hide my sunny disposition?
John
MacPro 8-core 2.8GHz 8 GB RAM OS 10.5.5 QT7.5.5 Kona 3 Dual Cinema 23 ATI Radeon HD 3870
ATTO ExpressSAS R380 RAID Adapter, PDE Enclosure with 8-drive 6TB RAID 5
24″ TV-Logic Monitor
Final Cut Studio 2 (up to date)Pro Tools HD w SYNC IO, Yamaha DM1000, Millennia Media HV-3C, Neumann U87, Schoeps Mk41 mics, Genelec Monitors, PrimaLT ISDN
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