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FCP7 is dead. Why can’t there be a new FCP7?
This may seem academic, but I would love to know what others think.
Despite being discontinued, I have been hired to edit on FCP7 continually up until now. I don’t cut on Avid, but I DO present myself as a Premiere editor as well. I’ve had maybe one Premiere job in the past five years. With the prevalence of FCP7 still in the professional space (I’m talking mostly ad agencies and yes, a few production companies), why is no one recreating it? Why isn’t there someone simply coding a new edit software from the ground up that takes advantage of current hardware that blatantly copies the design of FCP7? I suppose you might have to name a few things different to avoid copyright issues or something, but NLE’s are all kinda based on the same concept so there shouldn’t be patent issues. It seems like a crazy obvious opportunity to serve a rather large population who want this. Is there something I don’t know?
How many forum posts have you read in the past decade about reluctantly switching to Premiere, Avid or (gasp) FCPX?