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DV 9 GUI is highly saturated. Is the DIY and mobile market changing Davinci?
This is in part similar to another thread so apologies for any double up, but I’d love to get some opinions and further explore this if possible:
The new Davinci V9 GUI is highly saturated, with (in my opinion) unnecessary colors for every little thing from node inputs to the playback marker. Whilst I can understand the attempt to make the GUI easy to navigate for new users, having highly saturated colors next to a graded image will throw the colorist’s accuracy out. It’s a well established color principle. Grading on a Davinci requires a mouse and the UI, regardless of whether you are using a panel or not. Thus suites need LCD monitors beaming at the colorist during grading. Most colorists I know try to turn the screen off or down, but eventually the screen will be flicked on or turned up to handle a window open a still as doing it through the GUI is quicker. A grading program that has saturated and colourfully contrasting GUI components twinkling at the colourist is akin to having a sound mixing program like Protools beeping at the engineer every time she presses a button.
Although it would be great to see a preference setting to let you reduce this colour contrast in the GUI, I think it also raises some interesting issues over the direction of Resolve’s development. Colour grading for professional Film and TV clients, performed in a calibrated grading suite, has a different set of requirements and challenges than that of DIY and on set grading. Is it possible to have one application cater for both markets?
Marcus.