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Dual Link Capture – shifts
Hello all,
Im trying to see how far I can push our FCP suite. We are a 3D animation / effects facility that works in RGB. We communicate in house with DPX frames and deliver to a variety of file /tape formats. Currently I use our scratch or smoke to do this, our FCP is primarily an Offline suite. I have been trying to see how far I can push the FCP to work in RGB and capture in 444.
What we have:
– FCP 7 (studio 3)
– Aja Kona 3 (with the latest 7 drivers)
– HDCam SR Deck
– Glue tools DPX (although the latest upgrade isn’t working well with this – you can see the problems listed / answered here:https://www.gluetools.com/FUDforum2/index.php?t=msg&goto=865&S=7ac81f2c3362eca7b7dc428d6acae15b#msg_865What my testing has revealed (Using a 10step generated by the HDSR machine):
Single link Capture utilizing the HDSR frame converter to 422: CORRECT for YUV QTS- 10bit/ 8bit/ ProRes
Dual link Capture/ VTR Exchange/ DPX Frames: INCORRECT
Dual link Capture/ VTR Exchange/ AJA RGB 10bit QT:INCORRECT
Dual link Capture/ FCP/ AJA RGB 10bit QT:INCORRECTI tried setting to full and smpte and it seemed to make no difference the outputs looked exactly the same. When i examined the DPX frames in the Scratch they are SMPTE. Does anyone else work successfully with duallink? ive read a lot of different debates on the forum but so far I am unable to make it work correctly for us. One more point that is confusing me if FCP can only render in 8bit RGB then are my efforts futile? essentially what i’m hoping to achieve is to have FCP as a third option to capture or export to our HDCam SR machine without any shifts/ losses using dpx frames
Any help or nudges in the right direction gratefully received.
Joe