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Does Final Cut have to “improve” the exposure of a timeline I export?
Hi.
I know this is unorthodox, but in order to get the control I want, I export my entire timeline as a series of still frames, then batch process them in Photoshop to apply the curves I want. Then I reimport the series of modified stills into Final Cut, which I then want to export as a QuickTime movie.
It worked before, but today, when it’s really critical, Final Cut has taken it upon itself to modify the exposure of the stuff I’m trying to export as a QuickTime. Is there a way to disable this extremely helpful feature?
I’m using Final Cut Pro 6 on a dual 2.8 Gig PowerMac.
–Brian