• Adobe Premiere Pro

  Does CS5 work in 8,10,or 32-bit 444 or 4444 color space

  Posted by Terry Tsangaris on February 3, 2012 at 3:23 am

  I have come across this interesting posting,worth investigating.

  Hi Vashi

  I read all the stuff You linked above, and more, so now is clear for me the color management in CS5. For thous interested, I put a summary here:
  No matter what codec you use, internally CS5 will represent in 64 bits 444 color space the footage. If you make color corrections, fx, or no matter what changes, CS5 will play back or not in real time, but if you need to render for smooth playback, CS5 will render it in I frame MPEG, ( at least in my settings, this is the only available setting ). But if you export the whole edited sequence, CS5 will take the original footage, process the CC, FX, etc., and export in the targeted export format ( DPX, ProRES, mp4, etc. ) at the best quality. Opposite in the FCP, you can choose the render format (ex. ProRes ), and if the rendered sequence parts were in the same codec like the final export, FCP read those portions without any additional rendering ( but rerender if not the same codec ). For example: shoot in XDCam EX, render for preview in ProRes, export in XDCam Ex, needs to rerender the altered portions. Shoot in XDCam Ex, render for preview in ProRes, export in ProRes, needs to render the unaltered XDCam files, read and put together the previous rendered portions.
  Am I understood well? Can you confirm this Vashi?

  ORIGINAL LINK:https://www.hurlbutvisuals.com/blog/2011/07/01/little-things-make-the-big-difference-%E2%80%93-editing-in-adobe-premiere-cs-5-5/

  Terry Tsangaris replied 14 years, 3 months ago 1 Member · 0 Replies
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