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DaVinci Resolve 10
We are pleased to announce DaVinci Resolve 10. For those of you unable to visit us at the south hall of NAB here is a list of new features. This is a no charge upgrade for existing customers and will be available in Q3.
PeterWhat’s new in DaVinci Resolve 10
Resolve Live
• Grade Live incoming SDI video and save grading snapshots with metadata and stillsNew Editing Enhancements for Project Finishing
• Multi track video and audio editing
• Extensive clip trimming support
• High quality optical flow image processing
• Static, lower third, scroll and crawl titles
• Compound clips
• Three point and four point fit-to-fill editing
• Transform, crop and opacity video effects
• Multiple Take selection
• Expanded XML and AAF roundtrip support
• Built-in generators for bars and test patterns
• Audio level controls with track mixing
• Matchframe linking for source and timeline viewers
• Stereoscopic 3D editing
• Media Pool list view now includes a filmstrip viewNew Color Correction Enhancements
• Support for an unlimited number of industry standard OpenFX plug-ins per clip
• Unlimited Power Windows per node
• New Gradient Power Window
• Power Window presets to combine multiple windows
• PowerCurve Window freehand drawing and processing enhancements
• Copy and Paste of Tracking Data between Power Windows
• Power Window rotation available on the 4th trackball on the BMD control panel
• Motion Effects palette – In full version of DaVinci Resolve
• Chrominance control for Spatial noise reduction – In full version of DaVinci Resolve
• Temporal noise reduction – In full version of DaVinci Resolve
• Motion blur – In full version of DaVinci Resolve
• Enhanced blur with 10x range increase
• Contrast and pivot controls in 3-Way color and Primary palettes
• Split screen viewer display with SDI output
• CinemaDNG and ARRI Raw decoder options for half and quarter resolution
• Debayer and image scaling quality modes for systems with low GPU power
• Keyframe Timeline metadata now saved with Gallery Stills
• Drag and drop stills between Gallery pages
• Grab missing stills for all clips
• PowerGrades will now be append to the node editor with double click
• Enhanced Lightbox display with colour correction controls and SDI output
• Node based PTZR controls
• Corrector Node RGB/YUV selector for channel isolation
• Splitter and Combiners Nodes for single channel effects
• Optimized latency while grading complex node graphs
• Render Cache metadata is now saved with the project
• Global grade bypass for quick before/after grade review
• Auto Stabilization improvements to track shots with camera pans
• Additional External Matte Freeze and current clip settings
• Burn-in options for individual and global formatting and whether to display item labels
• User selectable LUT selection for GUI Viewer and Scopes
• Printer Light Hotkey grading
• Additional timeline filters to sort the colour and deliver timelines
• Keyboard shortcut to full screen viewer mode
• Media and Edit page viewer now includes a zoom to fit selector
• The switching clip selection now also in the node editor options menu
• Projects can now be arranged and saved within project folders for easy organisation
• Projects and project folders can be cut and pasted between project folders
• 3rd party panel improvementsMedia Support Enhancements
• AVI clip decoding
• JPEG 2000 decoding
• Viewer display with side-by-side audio waveform or VU display options
• Auto Sync of Dailies audio and video using matching time code
• Edit clip metadata concurrently with audio and video sync
• User definable preset list of metadata to be displayed on screen
• Log ACES support
• Sony Slog2 IDT for ACES
• Canon C500 IDT for ACES
• Additional Media Pool fields for clip metadata includes shot, scene, take, angle, circled and camera roll #Deliver Enhancements
• Audio tracks are now displayed in the timeline with video clips
• Audio VU meters with dBu and VU range selection
• Additional render option to JPEG 2000 for DCP generation
• Additional render resolution templates
• Render settings now include optional render job version name
• Integration with easyDCP using license purchased from EasyDCP (Available for Mac and Windows)General Enhancements
• OpenCL support for multiple AMD GPUs on Windows
• Menu bar support on Linux
• Linux CentOS 6.3 support
• General performance and stability improvements -
22 Replies
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wow. that’s pretty much all of my wishlist and more. thanks guys!
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AWESOME!
barrie
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Halfway through the list I had to stop and open a button .
Hats off, Respect and thank you very much… I’m stunned by that list 🙂A slice of color…
Resolve 9.1.1 OSX 10.8.2
Colorist / Aerial footage producer
https://vimeo.com/saschahaber -
I wonder if Resolve will become a genuine NLE option at some point….I know of many filmmakers who are still dissatisfied with the alternatives to FCP7….
S
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BMD,
Thanks for listening to your customers! Looking forward to the new version!Robert Due
Editor / Colorist
INDEPENDENT EDIT
DaVinci Resolve 9.1.1
OSX 10.7.5
MacPro 8-core 4,1 2.93 Ghz
8GB RAM
Nvidia GT120 GUI
Cubix Expander with 2 x GTX570 (CUDA 5.0.36)
Decklink Extreme3D+
Panny BT-LH1710P/ Panny BT-LH2600W
Tangent Wave -
There were some rumors that the panel would lower in price, or there would be a new mid range model. Anyone see anything like this at NAB?
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Question – now that you’re giving us even more ways to kill real-time playback (OFX and optical flow), will there be changes to the way the render cache works?
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[Peter Chamberlain] “• 3rd party panel improvements”
While this one bit is certainly not what I find most exciting about the update, it is important to me at the moment. Can you elaborate any on this and how it relates to a Tangent Element in particular?
Also, WOW. You really don’t charge enough for Resolve. Fantastic list of improvements!
Thanks
Chris Tomberlin
Color/Finishing
Outpost Pictures -
Very nice!
I wonder if you ever sleep ? 🙂
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Margus
https://iconstudios.eu
https://vimeo.com/iconstudioseu/videosDaVinci 9, OSX 10.7.4
MacPro 5.1 2×2,93 24GB
GTX 470 / Quadro 4000
Multibridge 2 Pro -
Second that Vladimir. If Resolve is supposed to work properly as a finishing tool the render cache need to be rebuild to give a reliable playback. Or else you need to transcode the colored sequence to a proper and fast format, and re-import before “going to online”. If your computer is not topped with numerous GPUs and rockets. I guess they have a plan. Stig.
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