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Consolidate FCPX project for colourist
Hi all,
I’m coaching a novice editor on how to package up her FCPX project for me to grade in Resolve. In short, I’m happy to receive her FCPX project file and make my own XML. My biggest fear is that I won’t receive all the clips, or at least won’t have them linked correctly – I simply don’t trust that she’ll have them all packaged nicely on an external drive ready to go.
FCPX’s Consolidate Media functions sounds like just the ticket, but I’ve never used it myself. It sounds like it’s more used to move all of the used media into the pre-specified library storage location, rather than packaging everything for hand-off.
If I understand it correctly, she could set the library storage location to an external drive, run Consolidate Media, then clone that drive (ensuring a copy of the FCPX project file, or at least and XML are also present) and mail it of. Does that workflow sound correct? Has anyone got a better workflow suggestion? Noting that I want to be working from original camera media, not a bladed up ProRES if I can help it.
Does Consolidate Media do anything with clips that are in the library but not the timeline (don’t try and make me bow to Apple’s messed up terminology. It’s a friggen timeline)?
Mathew Farrell
flowstate.com.au