-
Color Key question
Hello all,
I have 2 different cameras available to me, and I’m trying to figure out which one would yield a better key from a greenscreen shoot using Keylight in AE. The edit will be done in SD.
JVC D9: 4:2:2 color sampling, 480i, 50Mb/sec bitrate, ~3.3:1 compression.
JVC HD100: 4:2:0 color sampling, HDV (1280×720) resolution (I would capture through firewire at full res, do the key, then scale down to SD), 30p, 25Mb/sec bitrate, MPEG-2 compression.
So it seems there are pros and cons for each in terms of getting a good key. Thoughts?
Further (and because this is the AE forum), would there be differences between the two in your keying strategy itself? (i.e. deinterlacing, blurring color channels, etc?)
Thanks.
-
1 Reply
-
I’ve not a LOT of experience here, but I’d go with the 4:2:2 color space camera.
-trevor ward
http://www.redeyevideoproductions.com
orlando, fl
Reply to this Discussion! Login or Sign Up