- June 3, 2021 at 12:25 am
I recently had an 8K Red Camera project where I was able to push in to an interview shot pretty radically – in Frameflex it was down to 40, and in Resize it was 230! Since it was a standard 1920x 1080 delivery for the web, and no one saw any degradation of the image, everyone was happy.
Maybe the image was technically fine – who knows. The question is: how far can I take this in the future when I will be delivering to a good streaming service? If we shoot 4K, how far can I push in if they want a 2K delivery instead of standard HD? If it’s 8K again? Is there a mathematical formula I can run?
More and more I’m being asked to push-in on hi-rez footage – what is your workflow for keeping an undegraded image?
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