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Best way to work with film transferred to Digi Beta in AE for keying
Hi guys
We did a green screen shoot the other day and it was all shot on 16mm. We outsourced a company to telecine the footage onto DigiBeta and when it arrives, we will be capturing it via SDI using our Kona board.
I will be working with Primatte keyer on AE7pb.
For best keying results, should I be working in any particular bit depth or any particular colour space.
Furthermore, is there any book or resource out there that discusses keying and compositing in detail.
Thanks guys
Chris
UK
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