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Best settings to export lossless master from FCP7? Professional archive workflow suggestions?
I’ve been working in video for small mostly non-profit organizations for 3 years now and have several projects that I want to archive properly, and put together a portfolio to get into a school.
I’ve media-managed the projects I want to keep onto a RAID1 drive, and want to make a master export/render of each of these projects, that I can use as the source of all my following renders for dvd, internet etc.
What settings should I use for my lossless master? I see the options “uncompressed 10-bit 4:2:2”, which sounds like it would be full quality. From searching through threads, people have suggested, “PNG”, “Animation”, and “Apple Intermediate Codec”. I want full quality even if its a big file (most projects are short)
Also, any suggestions for an archive workflow? I’m having a hard time organizing things. Here’s my current thinking anyways.. I have 2 hard drives set up as RAID1, which I plan to store my media managed files as well as a full quality lossless render. Then I guess I’ll have another large 7200rpm hard drive, which I will work on projects from.. And figure out another drive to use Time Machine on.. and backup my Lightroom3 library on..
I’m also very reluctant to throw anything away.. I’m primarily an editor (or is my future career goal), and almost all of my projects are not totally finished because they were made in a tight time frame, so I wonder if there’s pieces I might want when I learn how to finish these projects properly. Maybe cheap slower hard drives to store the bits and pieces?
a web link, article, or any suggestions to how professionals store and archive their work (archival workflow) would be greatly appreciated. I’m afraid of losing good stuff! Sorry if this isn’t the right forum to ask.. I wasn’t really sure.
Thanks a lot!!
Dave Chavinsky