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AVID Log Exchange
I will be shooting in Tokyo either 50i or 60i on a Panasonic HVX900 (Sony HDX-F900R and tapes are beyond the client budget). It is to “localise” 15 minutes of a 52 minute edit in German, already redone in Spanish, Italian and English. I’m also helping them arrange AVID HD editing here in Tokyo. We’ll likely shoot 60i, even though their original edit and clips are 50i DigiBeta. We’re asking the German production company to provide the raw AVID edit data from the 52 minute programme, and also the ProTools raw data (they offered 8-track DARS-60 tapes).
This brings me to my question. In Germany they log from the tapes (not 100% wise, IMHO) using AVID Log Exchange, delete whatever they don’t need, and bring the data to the edit suite on a USB stick to control digitising of the tapes. This is a pretty efficient work flow, and they are up against a tight deadline in Japan (added to by language and cultural issues, which is partly why I’ve been hired).
I have never worked with AVID Log Exchange. Nor has the edit house ( it may be bundled with their DS Nitris, but AVID hasn’t yet translated the software into Japanese). I’m trying to arrange a test in advance of the director’s arrival, hoping the edit place will be able to handle the USB stick and capture only the selected cuts. With 2.5 Terabytes, there’s no way everything can be digitised.
Would you have any advice? Tips? Potential problems or things to avoid? I’m mostly concerned about how to use it AFTER the USB stick with the AVID Log Exchange EDL is brought in, i.e, in the digitising part of the process.
Michael Goldberg
IVW (International Videoworks)
Tokyo, Japan
http://www.ivw.co.jp