Associated Press standardizes on Premiere Pro CS6

[Angelo Lorenzo]

I wonder if normal customers will see some of the custom features added for AP like editing files as they’re still being recorded (I’m sure there are some codec limitations but awesome feature if you’re capturing to a raid array).

Angelo Lorenzo
Fallen Empire Digital Production Services – Los Angeles
RED transcoding, on-set DIT, and RED Epic rental services
Fallen Empire – The Blog
A blog dedicated to filmmaking, the RED workflow, and DIT tips and tricks

[Joseph W. bourke]

Hi Angelo –

I know that when Adobe “partnered” with Hearst Corporation, there were a lot of custom integrations with ENPS (https://www.enps.com/pages/introducing_enps) and CS4 (this was 2009). I don’t know whether those customizations remained as proprietary code, and were kept exclusive to the Hearst facilities, or whether they are now incorporated into the current version of PPro.

Joe Bourke
Owner/Creative Director
Bourke Media
http://www.bourkemedia.com

[Trevor Asquerthian]

[Angelo Lorenzo] “I wonder if normal customers will see some of the custom features added for AP like editing files as they’re still being recorded (I’m sure there are some codec limitations but awesome feature if you’re capturing to a raid array).”

I would assume (but don’t know) that that refers to edting a growing quicktime as supplied by the Sienna system from Gallery. (They made PictureReady which did this a number of years ago for FCP). They make a QT container that they ‘fill in’ … it is available to edit as a source to within a few seconds of ‘live’.

From the IBC reports PPro will also be able to do this with EVS growing files (as Avid MC and FCP7 have been able to do for some time).

Does show that Adobe are serious about making inroads in broadcast to fill the FCP vacuum… II’m taking bets on when I met get my first PPro booking if anyone’s interested (thought not 😉