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Any pitfalls to making one’s own 4444 proxy media?
I am new-ish to intermediate with FCPX. This is the workflow I am considering:
I am using After Effects to create media with an alpha channel. I am exporting this comp from AE via AME to Prores 4444 1080p. I am also exporting the same AE comp to Prores 4444 at 640×360. I then import the 1080p to FCPX (I’m using v 10.1.3) and generate a proxie (which has no alpha). I then quit FCPX and open the FCP project package and move the 640×360 version of the footage to the Proxy folder and overwrite the FCP-generated proxy file.
When I restart FCP, I end up with proxy media with alpha channel that seems to play back and scrub super smoothly, even when there is a video track behind it showing through the alpha. At full res there are many dropped frames making editing difficult (I’m on a fairly slow computer). So I plan to use this workflow and edit in proxy mode, and output the final piece in full-res 1080p and / or 720p.
Does anyone out there see any pitfalls with this method? I’d hate to go far down this road and have some overlooked problem crop up. Are there better ways to get proxys with alpha?