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  • Another FCP_ioHD monitoring problem

    Posted by Sam Roberts on January 4, 2009 at 4:44 pm

    I am outputting from the FCP timeline into the iOHD and then through an HDMI cable to a new Panasonic 1080P plasma.

    In FCP I have a sequence preset set to AJA iO HD 1080p 24 Apple ProRes 422 (HQ)
    and my video playback is set to AJA iO HD 1080p 24 ProRes 422.
    In the FCP VIEW menu the settings are: external video all frames. Video playback AJA iO HD 1080p 24 ProRes 422.

    The shots in the sequence properties are: size 1GB Vid rate 24fps frame size 1920×1080. Compressor Apple ProRes 422.

    The problem is when I monitor the timeline output 1/3 of the screen is a black bar with the shot itself shoved over to the right of the screen with only the first 2/3 of the shot visible.

    If I switch the playback output to 1080i the picture becomes normal and it moves as I scrub, but I can’t get any real time playback.

    Any ideas?

    Gary Adcock replied 17 years, 7 months ago 4 Members · 29 Replies
  • 29 Replies
  • Jeremy Garchow

    January 4, 2009 at 7:56 pm

    Your footage should be 23.976, not 24.0 and your putput shold be set to 23.976 (23.98 as it’s known in FCP) not 24.0

    Jeremy

  • Gary Adcock

    January 4, 2009 at 8:54 pm

    [Jeremy Garchow] “Your footage should be 23.976, not 24.0 and your putput shold be set to 23.976 (23.98 as it’s known in FCP) not 24.0

    AND you should be using the PsF setting NOT the P.

    1080 consumer displays cannot handle 1080 as true P- the 1080 format is Progressive Segmented Frame or PsF

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows

    Inside look at the IoHD
    https://library.creativecow.net/articles/adcock_gary/AJAIOHD.php

  • Sam Roberts

    January 4, 2009 at 9:50 pm

    Does the original footage need to be shot at 23.98 or is it just the FCP Sequence and Video playback presets need to be set to this? Or all three?

  • Jeremy Garchow

    January 4, 2009 at 9:52 pm

    What is your orig footage?

  • Sam Roberts

    January 4, 2009 at 11:27 pm

    Hi Jeremy. The original footage is RED One 24fps 4K (4096×2048) transcoded using RED’s proprietary app (REDCINE)down to a 1920×1080 Quicktime using the Apple ProRes 422 codec.

  • Jeremy Garchow

    January 5, 2009 at 12:54 am

    Mmm, Gary can probably help out more a bit on that as I have yet to work with Red footage, but are you sure it’s 24.0 material and not 23.976?

    Can you manually change the frame rate in RedCine when you make your files or do you simply keep it as ‘current’ from the r3d file itself?

    Jeremy

  • Gary Adcock

    January 5, 2009 at 12:35 pm

    [Jeremy Garchow] “but are you sure it’s 24.0 material and not 23.976”

    if it is 24.0 do a conform pass in CinemaTools to get back to 23.98, 24p video as truly progressive is not played out on most consumer grade sets

    While RED footage is shot at true P – your display may not handle it- most do not – try the 1080 23.98 Psf settings

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows

    Inside look at the IoHD
    https://library.creativecow.net/articles/adcock_gary/AJAIOHD.php

  • Sam Roberts

    January 5, 2009 at 1:23 pm

    Hi guys, I actually went back and double checked the frame speed on the camera and it was 24fps. I can though, shoot at 23.98 and I will do another test today shooting at that frame speed. I did try the 23.98psf video output settings on both FCP and the same inputs on the io HD with no luck. I have a support request in at AJA so hopefully they may have a few ideas.

    It’s too bad because the picture I do get on the plasma screen, even though it is only 2/3 there, is stunning and it will play back from the timeline in real time as opposed to the 1080i settings which do give me a full screen picture (also beautiful) but no real time playback.

    Thanks for your suggestions.
    Sam

  • Jeremy Garchow

    January 5, 2009 at 3:21 pm

    As Gary says, you can run your 24.0 QT movies through Cinema Tools and conform them to 23.98. That will allow real time playback.

    If you are planning on monitoring with a consumer TV, then shooting and posting at 23.98 will be a much easier workflow for you, especially if you have to any versioning for NTSC or HD tape.

    Jeremy

  • Gary Adcock

    January 5, 2009 at 3:38 pm

    “If you are planning on monitoring with a consumer TV, then shooting and posting at 23.98 will be a much easier workflow for you, especially if you have to any versioning for NTSC or HD tape. “

    As long as you make sure that your consumer unit plays 24p content.

    My guess is your plasma’s HDMI is not the 1.3 version so there for cannot playout 24p materials
    (neither 24.0 or 23.98 will work here)

    gary adcock
    Studio37
    HD & Film Consultation
    Post and Production Workflows

    Inside look at the IoHD
    https://library.creativecow.net/articles/adcock_gary/AJAIOHD.php

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