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Activity Forums Apple Final Cut Pro Legacy Animation codec with field ordering?

  • Animation codec with field ordering?

    Posted by Will Barry on March 6, 2007 at 5:37 am

    Hi guys,
    pretty new here so this may be another silly question but…
    I am working with DV-PAL anamorphic sequences in Final Cut Pro, and importing elements from After Effects 7 rendered out as ‘animation codec’. I am using this because I need the alpha channel.
    The odd thing is that, when I import into FCP (5.1.2) it says the footage has an ‘upper’ field ordering, which is untrue, because Animation doesn’t actually have fields at all (does it?)

    Furthermore, when I playback on FCP through the Sony deck to a broadcast monitor, I get a jumping thing happening, like the fields are wrong.
    I have tried setting the footage to have no fields, upper, lower, tried the ‘shift fields’ etc etc and still the jumping effect.

    Does anybody know what could be the matter, or perhaps a better codec or method to use to export from AE to FCP?

    Thanks for your time,
    Will

    Daniel Chisholm replied 15 years, 7 months ago 10 Members · 26 Replies
  • 26 Replies
  • Jeremy Garchow

    March 6, 2007 at 5:55 am

    If you are rendering out of AE, then you choose the filed order and it really has nothing to do with the codec. DV PAL is typically upper field first. What pixel size are you using and I have taken that you have rendered the effect in FCP?

    Jeremy

  • Jeremy Garchow

    March 6, 2007 at 6:00 am

    Woops, typo there. DV PAL is typically LOWER field first. PAL uncompressed is Upper field. Try rendering Lower field first out of AE.

  • David Roth weiss

    March 6, 2007 at 6:02 am

    Will,

    I’m not certain about your fields issue, but the animation codec is not a QT editing codec and it is not much appreciated by our beloved FCP app for that reason. For many reasons, your best bet is to export sequential 32-bit TGA files from AE. That will also certainly clear up your fields issues as well.

    DRW

  • Jeremy Garchow

    March 6, 2007 at 6:08 am

    [David Roth Weiss] ” For many reasons, your best bet is to export sequential 32-bit TGA files from AE”

    FCP doesn’t support image sequences either. Rendering animation is just fine, I do it all the time.

    Jeremy

  • David Roth weiss

    March 6, 2007 at 6:32 am

    [JeremyG] “FCP doesn’t support image sequences either.”

    Jeremy,

    Sure it does!!! I use them all the time for exactly the what Will is trying to do. You should try it Jeremy, all the special efx artists here in Hollywood spit out nothing but sequential stills when exporting from AE, Combustion, Fire, Flame and Inferno. They are the only way render farms will work properly and huge 2K and 4K projects, but the work even better on SD projects.

    DRW

  • Rafael Amador

    March 6, 2007 at 9:29 am

    [David Roth Weiss] “Sure it does!!! I use them all the time for exactly the what Will is trying to do”
    How you do it David? Nesting the still? or..
    cheers,
    Rafael

  • Martin Baker

    March 6, 2007 at 9:46 am

    Will

    You don’t say whether you’ve rendered lower or upper from AE but I’m presuming lower to match the sequence. So for a DV PAL sequence:

    If you’ve rendered from AE as lower field to Animation codec:
    – Import into FCP
    – Change the field dominance setting to “Lower” in the Browser, BEFORE you’ve added the clip to any sequence.
    – Add clip to sequence (FCP should not add the Shift Fields filter because it knows the clip matches the sequence).

    If you’ve rendered from AE as upper field to Animation codec:
    – Import into FCP
    – Do not change the field dominance setting (FCP assumes animation codec movies are upper as you’ve discovered)
    – Add clip to sequence (FCP will automatically add the required Shift Fields filter)

    It’s very easy to go round in circles with this because there is some weirdness. For instance, changing the field order of a clip already in a sequence has no effect at all. Anyway, the above steps work for me on 5.1.4

    Martin
    Digital Heaven, London UK

    Unique plug-ins and tools for Apple Pro Apps
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  • Jeremy Garchow

    March 6, 2007 at 2:45 pm

    [David Roth Weiss] ” You should try it Jeremy”

    Okay, you have me curious. Now how do you do it? I understand how to get it out of AE, but how do you get it into FCP? Import and render?

  • Todd Beabout

    March 6, 2007 at 3:14 pm

    I bring in image sequences through QuickTime Pro (File>Open Image Sequence) and then kick out a .mov that I bring into FCP. I don’t know if this is what DRW is referring to, but it sure would be nice to give FCP the ability to recognize an image sequence on import (like Avid, AE, Combustion, etc.) as they are somewhat of a standard for bringing animations into the edit suite.

    -Todd Beabout
    Vazda Studios

  • Jeremy Garchow

    March 6, 2007 at 3:25 pm

    [Todd Beabout] “I bring in image sequences through QuickTime Pro”

    i know that method, but that defeats the purpose, no? I could just render out an animation if I’m going to do that.

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