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4K!! FOUR KAYE!!!! … Meanwhile, at ARRI….
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[Jeremy Garchow] “Kind of like, it’s harder and harder to buy an HD TV without 3D capability.”
subtle joke there garchow. because if 3D tv had anymore knives in its back…
[Jeremy Garchow] “Listening to a podcast with the DP”
what was your podcast? In return I just got this one off aotg live with juan salvo – moron years late on my part but – luts.
who doesn’t want to know about delicious luts.https://coloristos.podomatic.com/
you are probably subscribed…
https://vimeo.com/user1590967/videos http://www.ogallchoir.net promo producer/editor.grading/motion graphics
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[Aindreas Gallagher] “what was your podcast?”
After watching Season 2, I specifically went digging around for talks about the lighting in that season. It really left a mark, and I thought that it was a beautifully shot (and lit) show, and a step up from a really great looking Season 1. It appeared to me that the light was a whole lot of natural light, during daylight interiors. It turns out I was right, for once. It was supplemented, of course, but the supplements were mostly fill. There’s a lot of really beautiful backlighting in Season 2 which would have been silhouettes on other cameras/mediums. Needless to say, I was really impressed and inspired. While perhaps it can be done on another camera, it seemed to be a great example of what an ultra modern digital camera can do. The dynamic range (more so the resolution) is such a powerful tool.
The podcast I found was embedded in a webpage somewhere, not something I regularly subscribe to. I will try and find it again.
Jeremy
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[Jeremy Garchow] “There’s a lot of really beautiful backlighting in Season 2 which would have been silhouettes on other cameras/mediums. Needless to say, I was really impressed and inspired. While perhaps it can be done on another camera, it seemed to be a great example of what an ultra modern digital camera can do. The dynamic range (more so the resolution) is such a powerful tool.”
I like the way that they tried to keep the shots as static as possible, it made it feel and look very “natural”
Steve Connor
Class Bully
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I’ve been producing with BM cameras lately and I’ve yet to see anything from the 4k world that’s better than the DR, color and IQ, including the new BMPC4k.
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Want to know what is cooler and more impressive than 4K?
Dolby was showing their new HDR monitor at NAB, it really pops! And that is a difference folks at home can see.
https://www.cnet.com/news/behind-the-scenes-with-dolbys-new-hdr-tv-tech/
Terence Curren
http://www.alphadogs.tv
http://www.digitalservicestation.com
Burbank,Ca -
[Aindreas Gallagher] “what was your podcast?”
Found it: https://gocreativeshow.com/house-of-cards-with-igor-martinovic-gcs025/
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[Jeremy Garchow] ” It should be a swan song for the Red faithful.”
You do realize that a “swan song” is the allegorical *last act* of a dying entity.
jPo
“I always pass on free advice — its never of any use to me” Oscar Wilde.
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yeah i’m an idiot
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[Jeremy Garchow] “yeah i’m an idiot”
OTOH, maybe it fits.
– Oliver
Oliver Peters Post Production Services, LLC
Orlando, FL
http://www.oliverpeters.com -
I quess the market is floded with hd and need to sell somthing cause everything is cheep these days. maybe they will find a way to rent all codecs a la adobe.
Ricardi Marty
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