It’s hard to really tell all of the fine details in this compressed version, but so far I think it is looking very good. If the director didn’t appreciate you before, I hope he does now. From what I could see you may afford to have some more light spill around the plane from the moon.
Perhaps you could duplicate your comp (but without any of the trees or original footage – you just want the moon and the plane – apply the stylize>glow effect on an adjustment layer. Then bring that comp in to your main comp and mask it so it just shows up where the moon is, then use a second layer of the plane as a track matte for the comp so that the glow only shows up where the plane is and doesn’t blow out the whole moon.
Again, I can’t really see it in the detail I would like in order to make suggestions, but so far it’s looking much better.
– The Great Szalam
(The ‘Great’ stands for ‘Not So Great, in fact, Extremely Humble’)
No trees were harmed in the creation of this message, but several thousand electrons were mildly inconvenienced.